GMA Callisto VS. Merlin TSM


As the title says, only if you have had listened both!
What are ups and downs? And the winner for you is?
minbean
I don't think I can ever get listenings for both of them in Vancouver, Canada!
Thanks for all the honest inputs!
hi minbean,
we have a number of individuals that own the merlin tsms in vancouver so why not request a listening session on this forum and audioasylum.
just an idea.
regards,
bobby at merlin
Minbean,
Do yourself a favor and hear both the TSM and the Callisto. There are significant differences on build, cabinet construction, porting, crossover, ect. Your room, equipment and what you like is what matters. I personally am overwhelmed by the Callisto and Roy Johnson, the designer. I have owned mine for over a year now and I still cannot believe the music these make. The Merlins did not give me this passion, but you should make up your own mind. Check out Green Mountain's new website. A wealth of information is available.

http://www.greenmountainaudio.com/Introduction.htm

Good luck in your search!
Minbean,
You say you don't understand my viewpoint. Allow me to try to explain. Relative phase is a circular function and cycles through the same start point like the hands of a clock — 360° of phase equals one full rotation or cycle. Because phase describes the relative time difference between two signals, it can be expressed in degrees or radians, which measure the completed portion of a circular period or wavelength. For example, 90° of phase delay is a quarter of a period (wavelength) at any frequency. The amount of time delay it takes to move apart 90°, however, is frequency-dependent. Thus, a given time delay will produce different amounts of phase shift at different frequencies. In other words, what you have with higher order speakers (12db/octave or higher) is essentially a time delay circuit that adds a different amount of delay to each and every frequency. Therefore, what you have is not your 0.01 second delay across the entire frequency spectrum as in your sample, but a delay that varies with frequency, something quite un-natural. Putting it another way, that 0.01 delay at 50hz is magnitudes higher at 1khz or 16khz. It is heard on complex music. Live sound direct from an instrument to our ears does not have delay that changes with frequency superimposed on its original response. It is an artifact of speaker physics. Does that help? Taking nothing away from the Merlins, I agree with elsneb.... audition the Callisto's also.