Bose 901...really

Eldartford, perhaps you are overloading the input to the pre-amp? can you increase the gain on your power amp so that you can reduce the signal necessary to drive the amp. Then the Bose equalizer need not output so much and you can reduce the output from the additional equalizer. But I am sure that you have thought of this and are worried about the noise that might be introduced by this solution.

Also, close mic readings are not want you want anyway. At any rate you seem to have 'tamed' that broad boost with the extra equaliser. Now you just ned to work on the Bose eualizer overloading distortion problem.

Salut, Bob p.

Inpepinnovations...The Bose equalizer comes before the Behringer, so the Bose doesn't have to put out anything extra. And the Behringer has LEDs indicating its input level, which, if anything, is a bit low. (The Behringer has balanced output to the amp).

I guess the 901's can play loud, or have extended bass, but not both at the same time. Hey, what can you expect from a bunch of 4" speakers.

I listened to 901s extensively in the 70s and 80s (mostly discos but some friend's houses, too.) They had no bass and very shelved down highs. The two discos that used them had supertweeters and subwoofers also and used the Boses pretty much for midrange. When I've heard them at houses they've always sounded shouty and veiled at the same time. Phasey, too.

I'd go to your local Guitar Center and check out some pro speakers, both studio and reinforcement types.

I too listened to Bose 901s in the 70s and 80s. I thought they sounded crap every time. The only thing that made them notable to start with was they used to advertise the speaker had an unlimited power rating. So as a teenager in the 70s we all kind of ooh'ed and ah'ed about it. "They must be good if they can take unlimited power!" Also their direct reflecting advertising made them a little intriguing. "What do they know that other manufacturers don't?" The thing is I've heard a lot of Bose equipment over the decades and none have ever sound good. Shows what good marketing can do for a company.

That's all that Bose ever had going for it: marketing hype. The whole concept is a lie. As a Sound tech: I'm familiar with a lot of music venues. Everyone that I've ever been to that sounded worth a nickel had sound treatment behind and along the sides of the platform/sound stage. Usually a series of curtains to absorb the side reflections/resonances. Same overhead to reduce or eliminate ceiling reflections. At a rock concert: if the rear and side walls weren't treated- you'd hear more of the stage monitors(out of phase) than you would of the mains. In the Bose ads going back to the 80's, the huge red arrows that represented reflected sound were supposed to be what you heard at a live concert. If the venue had that much reflected sound: it would be an ACOUSTIC NIGHTMARE(like the old Orlando Sports Stadium, UGH)!! McIntosh used to(maybe they still do) test almost every mainline manufacturer's speakers in their audio lab every year. Bose was consistantly the top producer of intermodulation distortion(the most noticable/irritating kind)in those test reports. The concept of causing a 5 1/4" driver to reproduce everything from 20 to 20kHz with an active EQ is flawed to begin with. It can't help but generate IM! Thanks for letting me vent.