Small room, "budget priced" speaker advice, please


Hi,

I recently sold my dearly beloved, old Vandersteen 2C's here on Audiogon (and I hope SgtPeppers is loving them at this moment!) :-) I did this because in our remodeled house, my new listening room (which will double as a guest room) is just too small for the 2C's. The Spousal Acceptance Factor was just too low. ;-)

I have a PS Audio Elite-Plus integrated amp for power (around 70 W/Ch) and a soon-to-be-shipped-off-for-a-refurb Sota Sapphire for an analog front end (I have "miles" of vinyl)! I will also get a CD player at some point.

For now, I need to find a pair of best-of-breed, truly "budget" speakers. By "budget," I'm talking upper limit of $850/pair. (Gone are my free-spending, single days... I'm a dad now...) :-)

Listening habits: lots of 60's and 70's folk and rock, some jazz, Donald Fagen/Steely Dan, a little classical. Listening volume: not too loud. Sonic preferences: I value transparency and imaging/soundstage. Bass should be accurate above all, as opposed to chest-pounding powerful.

I've looked at Paradigms, which I know are highly regarded at lower price points. Trouble is, our one, local dealer is primarily a TV/home theater outfit, so you're trying to hear them in a showroom crammed with other stuff... you know the drill. I've also hit a high end shop. Listened to a pair of PSB small towers and disliked them; they sounded muddy and veiled to me. Listened to a pair of the smallest Rega's and liked them quite a bit, but would want to go back to listen again. I even wrote to PS Audio for advice; they recommended the "baby" Epos monitors, but they're out of my price range.

Thanks if you've read this far. Knowing how subjective all this is, I'd still welcome any advice you have to offer about what I should try to audition.
rebbi
ZK,

All I can say with certainty is that EVERY recording (good, bad and in-between) sounds more lifelike or "live" on my Ohms than any other speaker I've owned concurrently (Maggie, B&W, Dynaudio, Triangle) and been able to do direct a/b comparison with. The unique "like the performers are there" aspect not available in conventional speaker design is what attracts people to the omni design in general, I believe.

Others happy with attributes of conventional stereo speakers may not be attracted to omnis.

So omni's are not for everyone. Different strokes for different folks. Thats what makes the world go round, including the world of audio.
Folks,

I just got kicked out of my office for some unscheduled "repairs" (don't ask) and went to the "Tune" HiFi shop down First Avenue here in Seattle who just happens to carry Totems. I took the opportunity to audition the new Music Hall Trio all-in-one system through a pair of Totem One Signature speakers. Even driven by a budget system, I have to say that these speakers image really, really well on almost any recording from dead center to fairly far off access. The Canadians (like Morrison and Vince Bruzesse of Totem) must have a lot of time during that long winter to perfect their speaker systems' ability to image, either omni-directional or standard dynamic speaker formats.

PS - the Music Hall Trio sounds pretty great for $1000 all-in.
Jpaik,

Sorry! I'd "taken out my credit card" about 90 minutes before reading your post. I'd never heard of the Morrison's, either! They look neat.
Rebbi,

Congrats on the new additions. Totem is a good choice.

And, you helped generate a long, interesting and informative thread in the process.

thanks.
Rebbi,

Have fun with your new speakers - hope you have "access" to listening to your new Totems off "axis" ;)