The focus and air lie


There always have been some kind of fashion in the way a system sounds and since a few years it seems that more and more people are looking for details, air and pinpoint focus / soundstaging.
There's a lot of components, accessories and speakers designed to fill full that demand... Halcro, dCS, Esoteric, Nordost, BW, GamuT are some examples.

This sound does NOT exist in real life, when you're at a concert the sound is full not airy, the soundstage exist of course but it's definitely not as focused as many of the systems you can hear in the hifi shops, it just fill the room.

To get that focus and air hifi components cheats, it's all in the meds and high meds, a bit less meds, a bit more high meds and you get the details, the air, the focus BUT you loose timbral accuracy, fullness.
It's evident for someone accustomed to unamplified concert that a lot of systems are lean and far from sounding real.

Those systems are also very picky about recordings : good recordings will be ok but everything else will be more difficult...
That's a shame because a hifi system should be able to trasmit music soul even on bad recording.
In 2008 this is a very rare quality.

So why does this happened ?

Did audiophiles stopped to listen unamplified music and lost contact with the real thing ?

Is it easier for shops to sell components that sounds so "detailled and impressive" during their 30mins or 1 hour demo ?
ndeslions
It probably happened because audiophiles (as opposed to music lovers?) feel t hey are missing out on something if they cant wring every last iota of detail out of their recordings. I would rather have timbral accuracy and the richness of the body of a cello or acoustic guitar than detail down to the sub-atomic level (ok, only kidding), but if ultra-detail is what you derive ultimate enjoyment from, who are any of us to be nay-sayers?--Mrmitch
Audiophiles that stay in the hobby long term, go through many phases of appreciation....I know I have.

Some things stay with you, because they are important to the enjoyment of music, other things get tossed aside because you find that they are not important to the enjoyment of music...(although they may be interesting...for a while).

You said...."This sound does NOT exist in real life"

Live music:

Small rooms, and small room acoustics, are nothing like large venue, large venue acoustics. Unless you listen to all of your "live music" in your living room (or dedicated room)...forget trying to reproduce "that" sound (it's not going to happen).

pinpoint focus / soundstaging:

Unless you have your speakers spread at least 20' apart, and 15' out...you don't have room for a "real" soundstage. (SACD/DVD-Audio surround, would be as close as you could get).

Recording quality:

The dynamic range of even the best example, is a poor rendition of the real thing. (and probably a good thing...because your components and speakers could not handle it).

I could go on and on...but I won't.

Dave