The focus and air lie


There always have been some kind of fashion in the way a system sounds and since a few years it seems that more and more people are looking for details, air and pinpoint focus / soundstaging.
There's a lot of components, accessories and speakers designed to fill full that demand... Halcro, dCS, Esoteric, Nordost, BW, GamuT are some examples.

This sound does NOT exist in real life, when you're at a concert the sound is full not airy, the soundstage exist of course but it's definitely not as focused as many of the systems you can hear in the hifi shops, it just fill the room.

To get that focus and air hifi components cheats, it's all in the meds and high meds, a bit less meds, a bit more high meds and you get the details, the air, the focus BUT you loose timbral accuracy, fullness.
It's evident for someone accustomed to unamplified concert that a lot of systems are lean and far from sounding real.

Those systems are also very picky about recordings : good recordings will be ok but everything else will be more difficult...
That's a shame because a hifi system should be able to trasmit music soul even on bad recording.
In 2008 this is a very rare quality.

So why does this happened ?

Did audiophiles stopped to listen unamplified music and lost contact with the real thing ?

Is it easier for shops to sell components that sounds so "detailled and impressive" during their 30mins or 1 hour demo ?
ndeslions
OMG, we are on an audiophile website and people are actually arguing that a boombox is better suited to appreciate music to the greatest possible extent....go figure!

Perhaps we don't even need ridiculously expensive musical instruments to really appreciate music - after all vocals and clapping are more then enough - who cares for a nice sounding steinway - after all expensive things like pianos are just a nonsensical rich diversion for those who are unable to appreciate music....
shadorne, i never said a boombox is better suited to anything. what i said had to do with debates over the location of and access to the soul of music, or any art for that matter. sorry you are so shocked by this perspective, but your criticism is still disingenuous and unfair, though obviously one is free to appreciate music for any reason whatsoever, as such appreciation is by definition purely subjective. i just don't think any coherent case can be or ever has been made that in general those with better stereo equipment are thereby able to (or for that matter actually do) appreciate MUSIC more than those with inferior equipment, though only coincidentally this will be the cases in many instances. it is actually just an extension of the exact same argument one audiophile uses when he rejects a more expensive and better speaker or amp or whatever as not worth the cost while another finds it absolutely worth the cost. do you honestly think this indicates the latter's greater joy in or appreciation of music? just because one person can hear more nuance of timbre or dynamic range has no bearing over whether he will thereby appreciate music more than someone who cannot. (importantly, i'm not saying that when a single person hears less and then hears more, he won't appreciate the more, only than comparisons between two separate minds are, from any reasonable psychological and philosophical standpoint, quite impossible. this also doesn't mean that this greater appreciation can't be achieved either by never hearing more or hearing more and then having to go back to hearing less.) sorry if i offended you or interfered with the flow of this thread. you are correct that it has nothing to do with audiophilia, but nevertheless i believe it is correct.
Walk outside your house at 3am and listen to the birds chirping. One is three feet away and the other is thirty feet away. Ten more are in between. How do you tell they are separated? What is between them? How many terms does it take?
sorry, one last effort to make clear what seems obvious: as with all art, the appreciation of music, any music, must have AT LEAST as much to do with the person listening (and all that "a person" entails, which is so so SO much more, including variable, than whether one has or has not heard a given level of fidelity), than the instruments or other machines (re)producing the sound waves that make up the music. any effort to refute this diminishes art via reductionism, scientism, and determinism.
i should add that such efforts not only diminish art, but NOT coincidentally (because the two are inextricably bound together), they also diminish (via the same reductionism, etc.) what it means to be human.