Are you dissing disco?
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Jazz for aficionados
Today's Listen: Miles Davis -- KIND OF BLUE Davis(trumpet),Cannonball(alto sax), Coltrane(tenor sax), Wynton Kelly & Bill Evans (piano), Paul Chambers(bass), James Cobb(drums) I assume everyone and their brother has this recording. It is considered one of the greatest if not the greatest Jazz recordings ever. I thought I would 'review' it and tell everyone WHY, it is, or is not, the greatest ever. I listened to it several times. Each time I tried to write about it, the words seemed inadequate. I thought it was great without being to explain why I thought so. I said, great tune selection, and not too many(5) or too few. Too many dilutes the playing, and too few leads to overblown very long solos. I said the solos were complex but sounded simple and eloquent. I said the soloist never played at the same time. In other words, no clutter and no filler. I said someone(miles) was obviously in charge, otherwise Coltane's solos would be longer than the entire CD. I said all the entire performance seemed to flow seamless. The tunes seemed connected by style and dynamic range. The rhythm section was awesome. Essential support, but never in the way of the masters. I think all this is true but does not make it the greatest ever. So I did some searching and found this review online: *****In the documentary drummer Jimmy Cobb -- the only surviving participant -- stated that he didn't understand why KIND OF BLUE stands out above any of Miles' many other outstanding albums. Perhaps it is because the user-friendly music satisfies the listener at whatever level they prefer. If you want to get emotively involved with the music, it leads you there. If you're a musician looking to pick apart the music, you'll discover a level of sophistication attained by very few. If you want to relax, the music is soothing on its surface. If you want to hear memorable improvisations, Miles and his sidemen lead the way by avoiding the use of cliched phrases. If you want to hear teamwork, the musicians know how to create together (when to play and when NOT to play). If you want something timeless, the music's freshness has no expiration date. Yet if you have a nostalgic twinge for the cool, acoustic jazz of the 1950s, this album will take you back in time.****** I think this guy nailed it. But I want to hear what the AFICIONADOS that contribute to this thread think. I know you have it, so listen to it, and share your thoughts. The greatest? Hmmmmmm, there's still 'Blues and the Abstract Truth' to consider. And others. I reserve comment for now. :) Cheers |
Here's something to stir your soul, this is my favorite trombone. http://www.youtube.com/watch?v=7aeVlQtsaFE http://www.youtube.com/watch?v=TKkKqrgquAw Enjoy the music. |
For me, it's a pleasant nostalgic album, and from what I remember, it was far more impressive to my friend who bought it; some people are more in tune to Miles music than others. Lovely pictures of sweet memories flowed past in my mind like a movie of better times that I would like to relive when I heard the sweet sound of Miles horn, and I found the nostalgic aspect of this album to outweigh all others. In regard to the best ever, "I don't think so". That would be a different album every night for a week, depending on my mood. "Otherwise Coltane's solos would be longer than the entire CD;" try 45 minutes of "My Favorite Things" live. McCoy Tyner, Elvin Jones and the bass man were trying to keep it together, while Trane went out into the nether regions. Enjoy the music. |