The Frogman:
I didn't realize you had posted this clip before. You know I would have commented. I would not have known what to say or how to say it, but that has never stopped me in the past.
Most often after you make your comments on your postings, there is really little anyone can add. It's like Einstein giving a talk on relativity to freshmen college students, and when finished asking, 'any comments?'. :)
You nailed it on this clip. I listened to it three times. Tried to find it on Amazon but could not, other than MP3.
I have noticed that great Jazz is getting harder to find except at exhorbiant prices from 'these sellers'. Get it while you can.
The playing on the clip was great, but the icing on the cake was that you could SEE the magic being created. Live sound is the best, but it's the visual part that makes it special. The closeup of the reed players was priceless. Pros at work.
The reeds brought Ellington to mind. I have several by Hanna, but all are solo efforts. He was Julliard trained and taught college and even wrote a ballet. I guess he was a genuis.
Nice shout-out to 'us' guys in the brass section. :)
Thanks for the clip. One of the best on this thread so far.
I think this was done in Europe. Does the audience affect the playing of the musicians?
Nothing worst that an unappreciative audience. The greatest(worst) example being, Ahmad Jamal at the Pershing, playing 'poinciana'.
Cheers
I didn't realize you had posted this clip before. You know I would have commented. I would not have known what to say or how to say it, but that has never stopped me in the past.
Most often after you make your comments on your postings, there is really little anyone can add. It's like Einstein giving a talk on relativity to freshmen college students, and when finished asking, 'any comments?'. :)
You nailed it on this clip. I listened to it three times. Tried to find it on Amazon but could not, other than MP3.
I have noticed that great Jazz is getting harder to find except at exhorbiant prices from 'these sellers'. Get it while you can.
The playing on the clip was great, but the icing on the cake was that you could SEE the magic being created. Live sound is the best, but it's the visual part that makes it special. The closeup of the reed players was priceless. Pros at work.
The reeds brought Ellington to mind. I have several by Hanna, but all are solo efforts. He was Julliard trained and taught college and even wrote a ballet. I guess he was a genuis.
Nice shout-out to 'us' guys in the brass section. :)
Thanks for the clip. One of the best on this thread so far.
I think this was done in Europe. Does the audience affect the playing of the musicians?
Nothing worst that an unappreciative audience. The greatest(worst) example being, Ahmad Jamal at the Pershing, playing 'poinciana'.
Cheers