Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
This is an interesting subject, but easy to lose focus and not start discussing apples and oranges; at least as I interpret the comments, so please correct me if I'm wrong in my interpretations.

I thought that the original comments about Cuba's future had to do with the future of its music and the impact of Americanization on the music. I think there is little doubt that once there is real freedom in Cuba, not the kind of government controlled "freedom" that Communist countries like China flirt with, that we will see a real economic explosion in Cuba. What exists now, and what we will probably continue to see in the foreseeable future, is the kind of government control over every experiment in capitalism (freedom) that allows very little actual trickle down benefit to the masses while the corrupt government elite continue to take the lion's share of the influx of American $'s. Factoid: cost to an expat of renewing a Cuban passport $475 (!!!) (with additional "fees" every couple of years). Says it all in my opinion. But, I digress; back to the music. I think the point being made re the future of the music was that once there is true free exchange between Cuba and the U.S. (a mere 90 miles away) most of what we will see as Cuban culture and music will be indistinguishable from what exists in Miami now.

Frogman, I was unaware of government corruption in Cuba. I don't believe the kind of control the government exerts over the Chinese would be tolerated by the Cuban People; there is a limit, and if a united people say "NO", that's the limit. The government in China uses the military and the police to enforce their law. I'm not sure the police and military in Cuba would enforce unjust law. Another question is how does stuff that exploits the people become law?

Cuban music will compete with what exists in Miami now, and Cuban Music will win.

In regard to who is right, and who is wrong, only time will tell.
O-10, I hope that you are correct about the future of Cuban music and that I am wrong. I would like to see nothing more than the preservation of the beautiful music or honest and interesting evolution. What I can say with certainty is that you are not correct about is the politics of it all. The Cuban government has been and continues to be one of the most corrupt and ruthless dictatorships. Perhaps it is the proximity to the U.S. and the beauty of the country, it's people and its music that has made it easy to romanticize, as has often been done, the reality of life in Cuba. Life in Cuba is replete with unjust laws and oppression and it is easy to assume that the people would prevail in a revolt against it until one is looking down the barrel of a gun or the prospect of jail (or worse) as countless have done. I am not sure this is the forum for more in-depth discussion of this topic, but if you would like to learn more about it based on personal experience feel free to pm me. Saludos.

Da Blues! "Let's cover Da Blues".

As some may know, I have an aversion to certain kinds of blues; it's not the music, but social factors surrounding the music that bother me. I don't hear the music, but see and hear all the social factors surrounding the music, I'm talking about "The Delta Blues".

Let's follow this music down two parallel sets of tracks; one set of tracks for the music, and another for the music. As an aficionado, I want you to feel free to focus exclusively on the social factors or the music; maybe you are unaware of the social factors, and find them disturbing, that's when it's best to focus exclusively on the music.

To move this vehicle forward, I've chosen "Juke Joint Blues", this is over an hour of music and slides that depict some aspects of the social factors.

https://www.youtube.com/watch?v=ucRZmqFxUaE

Enjoy the music.