Anyone Compared ARC Ref 75SE and 75 With KT150


Hi,

Appreciate any feedback if anyone compared 75SE and 75 with KT150s. I have purchased Ref 75 with KT150s and wondering if it makes sense to upgrade to SE.
veerapaneni
When i am spending my money on new gear, the least i expect is that they perform better than my old ones from the get go. I am not saying GS150 is bad, they amazing but my 250s are driving my speakers better .

they might improve after breakin but i thought i needed more power for my speakers.
Veerapaneni ...

I've always considered that easy to drive speakers are the way to go. I'm presently using a pair of Legacy Signature III's ... 93db. The REF-75SE just coasts driving these speakers. In fact, the meters hardly move no matter what I'm playing. Also, I've found that many times, the lower powered amps in a product line can sound better than the higher powered spread. Not that I've always had easy to drive speakers. My old Accustat IV's come to mind. Great speaker, very musical ... but man 'O man what power hungry beasts they were.

I DO love the REF-250's, having heard them driving the Vandersteen 7's in the Optimal Enchantment room three years ago at the Newport show. All things considered, that was one of the very finest systems I've ever heard.

On expecting new gear to sound better than gear it replaces ... I remember when I first got my ARC REF-3. It replaced an ARC SP-14, a very nice preamp in its own right. I was a bit put off because while the REF-3 was better, it was just marginally better new out of the box. With the caps and tubes broken in ... the REF-3 just destroyed the SP-14. Same thing when going from my old, trusty, ARC-Classic 60 to the original REF-75. I love the Classic 60 ... now being used as a spare and soon to be sold ... but as the REF-75 began to break in, it was no contest. And then of course, the new SE versions are in another league all together.

Another benefit to the lower powered tube amps is the reduction in heat output. Southern California summers are HOT! Even today, this late in the year, our outside temps hit 100 degrees. The big amps would be out of the question in my room. I'm one who believes in turning off all electrical devises when listening to the system, and that includes the air conditioning.

Please don't take any of my comments as criticism in any way ... its just conversation between one ARC fan and another.

Take care ....
Thanks Oregonpapa. I have no doubt both 75SE and GS150 are very nice Amps. The difference between Gs150 and REF250 was very marginal and if i had high sensitive amps i would have definitely got 75SE instead. But my speakers shine with more power.
Oregonpapa---100 degrees? I miss those mild L.A. Summers ;-). I'm out in Palm Desert now, and we regularly get up to 115-117. My monthly electrical bill (which includes the operation of the house's air conditioner) this Summer has been $500! I sold my pair of mono power amps because each had eight output tubes each.

Good recommendation of the Harmonia Mundi sampler. What a great, great label, whose catalog contains fantastic music recorded in excellent sound. In the late 80's/early 90's they held Sunday parking lot sales at their Santa Monica office, where they were selling off the last of their American and French LP's, for $5 each!
Bdp24 ...

I had friends who used to live in Palm Desert. When visiting them in the summer it was a constant round trip... from the air conditioned house to the pool. Then from the pool to the air conditioned house. My friend was a lineman for Edison. Can you imagine climbing Edison poles all day in that heat to repair electrical lines? He said that one gets used to the heat once one's blood thins out. Jah ... right!

I remember those Harmonia Mundi parking lot sales in Santa Monica very well. My friend Warren and I used to score big there. Some of my favorites are the Kapsberger Lute sonatas with Paul O'Dette, the Handel Water Music ... and for fun, La folia.

I wish we could get those for 5 bucks again. I scored a bunch of used Harmonia Mundi CD's at a record store in Pasadena once for $2.98. I bought most of what the store had ... probably 25 or so. As I was scooping them up, I remember that I kept thinking ... who in their right mind would trade in their Harmonia Mundi collection? And of course, what store would be dumb enough sell them for $2.98?

Guys like us can really make out sometimes in used record stores that know nothing about classical and/or great old jazz. Sometimes the guy behind the counter pricing the new arrivals only knows rock, metal and rap .. and he/she looks at a Harmonia Mundi lute record, or an original Count Basie w/Sarah Vaughn record as crap. Hee, hee ... little do they know.

Harmonia Mundi was an interesting label. Like you said ... great sound and interesting music too. On many of their recordings, they used musicians who were expert at playing the ancient instruments, so what we heard was what Handel and Mozart heard. They recorded a lot in some of the old stone churches in Europe to get those great acoustics they had. You're a fan, so I know you're aware of how and where the label recorded, but for others reading this, give the Harmonia Mundi label a try. You won't be disappointed. The CDs are really, really good. The vinyl is great.