What to do with bad recorded CDs


When I upgraded to Mcintosh and Accuphase - Kef speaker system, I am in heaven for the first time I started this hobby a decade ago.

I found my-self not even breathing, to capture every bit of nuance of the music... It was a great moment for me - and I am a professional musician. Rarely do I encounter such moments in live music !

Good Hifi can equal if not better live performance - for me.

But alas, heaven turned into he-- when I put on badly recorded materials. It revealed bad CDs to the point of me wanting to throw them away.

What do audiophiles do about that ? Go back to a lesser system to play these ? Or should I throw away great portion of my collection ?
gonglee3
I wouldn't throw them out. You haven't heard all them at their best yet! It's great you're enjoying your excellent system--but there is more!! First question--do you have a "phase reverse" switch on your preamp - and if so have you experimented with it? The better your system the more difference correct phase makes. It can definitely be the difference between poor versus involving sound.. There's more... hang on to your discs
Get a VCR tape demagnetizer from Radio Shack. Demag your CDs after using any cleaning fluid. This makes CDs sound more analog. It reduces grain and glare. If that doesn't work, then toss them into your "trade box." and when full, take them down to your local used record store and trade them in for store credit. Then hit that store's record bins and pick up some great vinyl.
Agree with Oregon Papa, degaussing is a good idea, so is ionizing the CD, so is degaussing the interconnects. In fact, can I say that almost all CDs are well recorded, it's just that there are a great number of problems in the playing of the CDs that make it appear the CDs suck. I have gone on record for many years saying that out of the box CDs by and large sound thin, unnatural, tizzy, boomy, threadbare, congealed, airless, unfocused, very distorted, two dimensional, boring and amateurish.
Geoffkait ...

Have you ever noticed, especially early on when CDs first came out, that pianos sounded like those children's toy plastic pianos? Also, on symphonic music, it sounded like the recording engineer had his hand on the volume dial, and instead of the orchestra's natural volume expanding and contracting, it sounded like the engineer was moving the dial up and down. It even sounded that way on the initial Telarc releases on vinyl. Do you remember those? The conductor was Fredrick Fennell. Terrible recordings!
Oregon papa - in a perfect world Telarc recordings should have stopped digital right in its tracks.