Learsfool, you went even farther than I was inferring to in regard to "imitating" improvised music. If this music was written out, do you think the classical musicians could play it, and make the music sound as though it wasn't faked?
[url]https://www.youtube.com/watch?v=B83B1YiVcjE&list=PLUSRfoOcUe4aAPJ2Z2qXmrFfAN0GrCdBm[/url]
"Also you must remember that anything being improvised on the spot in a jazz club cannot be TOO complicated, otherwise it almost certainly wouldn't work, unless it was perhaps done by a group that was used to playing together all the time, and knew each other's musical tendencies very very well. And of course, as we have talked about before on this thread, the players all know the tune and the chord changes, so the melodic improvisation is taking place inside a very structured framework that all of the members of the group understand. And even if they don't know the tune at all, if they have what they call a "fake book" that includes it, they can use it and get through the tune."
The music I heard on a regular basis at jazz clubs was comparable to the music I've submitted on this post, and it was done by musicians in what you and Frogman called a "pick up band". In regard to "Too complicated", meaning comparable to the music I've submitted; I'll have to let you and others be the judge of that.
When "Monk" was queried what he thought was too many times about how to play something by a certain famous jazz musician, this was his response: "You a professional jazz musician, and you got a horn ain't cha". Meaning, blow the sucker, and it better come out right.
Although I was referring to a jazz musicians ability to improvise in my first post, I don't think I communicated this. (BTW, when is the last time you were at a jazz club?)
Enjoy the music.