Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Hi everybody!!

I've just recently joined this forum while looking for some new speakers.  I ran across this thread almost two hours ago.  I'm still here and want to contribute something.

My main gig is sales and marketing.  My other life is as a jazz musician, (or, because this is a small town, the symphony, blues, funk or country.  ((but I freakin' hate the country gigs)))

I fell into jazz at about 15 years of age.  My parents asked me if I wanted to go with them to hear Oscar Peterson.  I said yes.

I said yes not because I liked his music.  In fact, I didn't like it at all.  My parents had a bunch of jazz records and none of the songs sounded to me like the musicians knew where they were going.  It was just a jumbled mess of notes.  But I knew he was famous, an old guy and would probably die soon, so I went to the concert. 

This was about 1966-67.  Anybody over 40 was pretty much an old guy. 

I was 14-15 years old. 

We went to the gig.  As it turned out, it was a solo performance.  The room held maybe 300 people.  Nice, intimate and we had an excellent view of his hands. 

Anybody that knows the music of Oscar Peterson knows that he has a blindingly fast right hand and that his left hand is equally as fast, and can play off the right in such a way that sometimes you think that there are actually two piano players.

Anyway, here he is playing his stuff.  It's not that good. (at least to my 15 year old ears).  At one point he does the super fast right and left hand thing and I can tell he's going out of time.  I thought, Okay, he's going out of time, but he's an old guy so that's okay. 

He was not going out of time.

I'd just never had to listen to music that "hard" before.  I became obsessed with understanding his music and bang; I was a jazzhead.  Still am.

At some point in my life I can't remember I began to look for odd meter tunes.  I think some tunes are written in odd meters just because the musicians can play them.  Some others work.  And work really well. 

Here is one of my favorites, and my first contribution to this most excellent thread;  Cannonball Adderly playing 74 Miles Away.  I had the privilege of seeing this live.

https://www.youtube.com/watch?v=EmpV67Mgsl0

Thank you all for a wonderful thread.

Bob
Welcome to the thread, jzzmusician.  And thanks for the great clip.  I wasn't familiar with this recording; great to hear Cannonball in 7.

Welcome to the thread Jazzmusician, I have that original LP. Seeing that performance live was quite a privilege, which will live in your memory forever; wish I could have been there.

I'll look forward to your many fine contributions in then future.




Enjoy the music.

Rok, that was a fine contribution, and I enjoyed every last minute.

Did you know there are those who can not distinguish between notes played very fast and "Bird's Best Bop"? When you told me, (and I knew you would) that you liked what you heard, I knew you were not one of those who can not distinguish between notes played very fast, and "Bird's Best Bop"

"Bird's" patent on Bop is encoded in the music, and he took it to the grave with him. A lot of people think that playing jazzy notes real fast is "Be Bop", but it ain't. While I can clearly hear the difference, I can't explain it because I'm not a musician.

I think it's been stated that if I learned something about music, I could explain such things. If that's what it takes, count me out; God created those who play music, and those who listen to the music they play; I know my place in the Universe, I'm a born listener.






Enjoy the music.


Rok, a recording studio can be a performance venue just like any other.  Some studios present concerts with small audiences and radio station "studios" might broadcast performances taking place in-house.  Additionally, a performance may be recorded in a studio (with or without an audience) with no processing or editing involved and with all the musicians in the same space as opposed to being separated in different booths for purposes of isolation.  From those standpoints a performance may be said to be "live" in studio. 

****Bird's" patent on Bop is encoded in the music, and he took it to the grave with him. **** - O-10

O-10, I hope you are not suggesting that no one played bebop after Bird passed 😎.