Synergistic Red Fuse ...


I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...

Any comments from anyone else who has tried these fuses?
128x128oregonpapa
Oregonpapa:

I am glad the audio grade fuses have made such a dramatic impact on your your system.
  Synergistic Research has not been "selling their souls" to develop these products .Instead they spend a great deal of time with multiple prototypes and multi person listening sessions to get the sonic signature they want. It basically is a product of advanced thinking combined with hard work .

We are the beneficiaries of this process of product development.

knghifi:

I applaud you for taking a break from system evaluation listening. 

geared 4 me:

I have ordered Synergistic Research products from the following with excellent results.
High End Electronics- Alfred and Betty Kainz, Apple Valley, Ca.
Scott Walker Audio, Anaheim, Ca.
David Weinhart Designs, Los Angeles, Ca.
The Cable Company, New Hope, Pen.

All of the above companies have given me excellent service when ordering Synergistic Research products. All have been excellent observing Synergistic Research's return policy!

I look forward to reading about the changes the "Black" fuses make. 
In the three systems I am responsible for maintaining and optimizing, two use "RED" fuses and one uses the original Synergistic Research 20 fuses.

David Pritchard











David ...

The fact that SR continues to improve their products is a reflection of the competitive nature of a capitalistic system wherein improvement is necessary or a competitor will create that improvement and out of business you go. Who benefits?  Well, the business that provides the most benefit for the end consumer ... and the end consumer/user. That's us. After all, money is nothing more than a scoreboard reflection on one's service to others. Its the old adage: Help enough people get what THEY want, and you will get what YOU want in return.  So, let's hope that the good folks at SR makes a TON of profits off of their products and continues to lead the field with these wonderful, effective fuses. Bring on the Black ones. And then perhaps the Purple ones after that.

Charles ...

I first got into jazz as a teenager though listening to Rhythm & Blues. This was before the guitar replaced the saxophone as the usual lead instrument as it did with the "White" music of Elvis, the Beatles, etc.  So, it was just a natural progression from the saxophones of Earl Bostic, Joe Houston and Big Jay McNeely ... right into Chu Berry, Ben Webster, Lester Young ... and then into Paul Desmond, Cannonball Adderley, John Coltrane and more. 

When I first heard Monk, my reaction was very similar to that of Louis Armstrong when he first heard Charlie Parker and Diz playing BeBop ... "I hate it ... it sounds like Chinese music!" *lol*

 I couldn't stand Monk with his discordant poundings on the ivory. But then ... but THEN ... as I started listening more critically to his playing I began to understand what he was trying to do. As time progressed, I came to realize just how great of a genius he truly was. At this point, I have a lot of Monk's music, both solo and with groups. I don't however have those two recordings you mentioned. I'll check them out. Thanks.

Another genius of the piano ... Bud Powell. I love his music too. A true master of the bebop piano style.
Oregonpapa, 
I share your economic perspective, I'll happily spend my money on products that deliver what I seek if their value is what I would deem reasonable. The beauty of choice in a competitive and  free market. 

When I first got into jazz Oscar Peterson was my go to pianist. I still certainly respect his immense talent. Over time and with more exposure and inevitable evolution, my taste and appreciation expanded . Monk is just my guy when it comes to jazz pianists. Not only is he a tremendous musician but has composed so much beautiful music, many which became jazz standards. 

Given what you have written I'm sure you'll love the two Thelonious Monk  live jazz venue  recordings I recommended. 
Charles, 
Bud Powell? Oh yes! I could discuss these guys for hours with you. Don't get me started on jazz trumpeters☺☺. Ok, enough  topic diversion, I'll shut up. 
Charles,