Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
A few recent topics, Johnny Hodges’ immediately recognizable (should be) sound and style, Stan Getz, and music that evokes an emotion other than "happy" beg a revisit of what is, along with "The Peacocks", one of the most evocative melodies ever written. Ohnwy61 reminded us of the differing opinions about whether it was Johnny Hodges, for whom the tune was written, or Stan Getz, who made it a kind of "signature" tune, that did the tune justice. Gorgeous melody written by Billy Strayhorn while literally on his death bed:

https://m.youtube.com/watch?v=-N7WoBI5ABk

https://m.youtube.com/watch?v=7Ckls62nZHw
Schubert, sorry to hear about your terrible experience.  I hope that somehow you are made whole by the Agon system or by some other means.  As others have said, I hope you reconsider your involvement here.  Your opinions on the music are valued and they show a level of discernment and appreciation that is refreshing.  I particularly appreciate how your expertise in your preferred genre informs other genres of interest; as it should be since, at their most basic levels, the similarities are greater than the differences. 

***** differing opinions about whether it was Johnny Hodges, for whom the tune was written, or Stan Getz, who made it a kind of "signature" tune, that did the tune justice.******

Anyone who cares to read the history of 'Blood Count',  the conditions under which it was written, the relationship between Strayhorn, Ellington, Hodges and the band, would know that the question itself is absurd.

How could anyone consider this to be a 'signature' tune of anyone, except Strayhorn, the  Ellington band and Hodges?  How could anyone possibly do it more 'justice'.

Of course, I realize questions like this are always considered valid,  in some circles.

Cheers