Neutral electronics are a farce...


Unless you're a rich recording engineer who record and listen to your own stuff on high end equipment, I doubt anyone can claim their stuff is neutral.  I get the feeling, if I were this guy, I'd be disappointed in the result. May be I'm wrong.
dracule1
Post removed 
Electricity is most commonly conducted in a copper wire. Copper has a density of 8.94 g/cm3, and an atomic weight of 63.546 g/mol, so there are 140685.5 mol/m3. In one mole of any element there are 6.02×1023 atoms (Avogadro’s constant). Therefore in 1 m3 of copper there are about 8.5×1028 atoms (6.02×1023 × 140685.5 mol/m3). Copper has one free electron per atom, so n is equal to 8.5×1028 electrons per cubic metre.

Assume a current I = 3 amperes, and a wire of 1 mm diameter (radius = 0.0005 m). This wire has a cross sectional area of 7.85×10−7 m2 (A = π × (0.0005 m)2). The charge of one electron is q = −1.6×10−19 C. The drift velocity therefore can be calculated:

TBS

Dimensional analysis:

TBS

Therefore in this wire the electrons are flowing at the rate of −0.00028 m/s.

By comparison, the Fermi flow velocity of these electrons (which, at room temperature, can be thought of as their approximate velocity in the absence of electric current) is around 1570 km/s.[2]

In the case of alternating current, the direction of electron drift switches with the frequency of the current. In the example above, if the current were to alternate with the frequency of F = 60 Hz, drift velocity would likewise vary in a sine-wave pattern, and electrons would fluctuate about their initial positions with the amplitude of:

2.1 x 10-6 meter

To summarize, the electrons are moving so slowly it’s almost as if they’re standing still. And in the case of alternating current they are moving back and forth so actually they are standing still. So, ye olde fire hose analogy doesn't uh hold water.

cheerios

Roger that all sounds fine and good. You nicely summarized the differences between live sound waves and the waves that result in devices that conduct electricity used to reproduce live events.

So all designers tackle the same problem in different ways. Are you doing something different or unique? Would love to know.  Is the result more "neutral" than the others?
geoffkait,

With all due respect...

I don't need to crack the text books to know that if I push a cup off a table that the next thing it will do is hit the floor.  

 This reminds me of Thomas Edison's Light Bulb Test

Thomas Edison, the inventor of the incandescent bulb, was an incessant inventor.   When he needed to expand his staff, he employed an unusual technique for interviewing the engineers for positions on his staff.  Every prospective applicant who came in for an interview was handed a light bulb.  Edison then asked the engineer to determine the exact amount of water the bulb could hold.

Edison knew very well that there were two basic ways an applicant could determine the correct answer to his question.

The first, was to apply several engineering gauges and mathematical protractors to each of the complex angles of the glass bulb. Then, using a slide ruler and applying basic logarithmic formulas, the applicant could calculate the inside surface area of the light bulb which would allow him to determine the total volume of the glass bulb. This approach would take an experienced engineering applicant approximately twenty minutes to solve the answer.
The second method an applicant could use to find the answer was to remove the brass base from the bulb and then fill the bulb with water.   Once the bulb was filled with water, its contents could easily be poured into a measuring cup or laboratory beaker mug to determine the exact amount of water it could hold.   This method generally took less than two minutes.
Nearly all the engineers who used the first method to calculate the volume of water a light bulb could hold were politely thanked for their time and sent on their way. However, the applicants who used the second method were greeted warmly by Mr. Edison who asked, "When can you start?"


Based on your very impressive technical knowledge, can you tell me what happens if the velocity of an audio signal entering an amplifier leaves at a different velocity?

Better yet - Is it possible to exit at a different velocity?

Roger

Mapman,

Absolutely - the method I use is quite radical and unconventional. This is one of the reasons that people who hear this technique for the first time are shocked at how well it replicates the live event. It is capable of  unraveling the layout of the venue and placing sound objects back into space. Essentially a reverse of the recording capture.

The key to doing this is have a stable playback speed.
Conventional amplifiers don't have circuitry that can detect or control this property.

I know you remember me from the early postings on the other threads.
I have had my share of critics and audiophiles who just enjoyed making fun of my work. Well I never gave up and here we are in 2016 with an actual way to hear perfect flawless, distortion-less music.

I must thank God for what has happened as a result.of all that work.
There was no way to measure what I only suspected was going on.
It functions so well - it is a miracle.

Already I have been talking with 4 of the top 3D movie makers about implementing Live analog amplifiers in the movie soundtracks and driving the local speakers in the theaters with metered Mach One sound.
Besides the audio market, it is made for all types of entertainment.

I watched to the halftime show during the Superbowl on H-CAT and experience an absolute attendance.

Even with cancer, I could not be happier.

Roger