Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
@acman3 


Normally I would be amazed at a combination of Pat Metheny and Ornette Coleman, but just yesterday I ran across a CD of Johnny Hodges and Lawrence Welk.   They say it worked!

Like you said, just not my sort of thing.  I used to try to like DeJohnette, in my early years, but he just didn't play my type of stuff. Just like Keith Jarrett.   Just too 'cerebral' for me.

Cheers
Hi Acman, just saw  your post.  It really should be no surprise to anyone that Jaap is going to New York (there are many New York critics with short memories acting surprised/disappointed).  They wanted him very badly eight or ten years ago, when Dallas beat them to his signature, and they were very upset about it.  Now they are finally getting the guy they wanted back then.  He is a great musician and a great fundraiser - as Frogman said, it should be a good marriage, at least for a little while.  

Jimmy Blanton was an influential American jazz double bassist. Blanton is credited with being the originator of more complex pizzicato and arco bass solos in a jazz context than previous bassists.

Born in Chattanooga, Tennessee, Blanton originally learned to play the violin, but took up the bass while at Tennessee State University, performing with the Tennessee State Collegians from 1936 to 1937, and during the vacations with Fate Marable. After leaving university to play full-time in St Louis with the Jeter-Pillars Orchestra (with whom he made his first recordings), he joined Duke Ellington's band in 1939.

Though he stayed with Ellington for only two years, Blanton made an incalculable contribution in changing the way the double bass was used in jazz. Previously the double bass was rarely used to play anything but quarter notes in ensemble or solos but by soloing on the bass more in a 'horn like' fashion, Blanton began sliding into eighth- and sixteenth-note runs, introducing melodic and harmonic ideas that were totally new to jazz bass playing. His virtuosity put him in a different class from his predecessors, making him the first true master of the jazz bass and demonstrating the instrument's unsuspected potential as a solo instrument. Ellington put Blanton front-and-center on the bandstand nightly, unheard of for a bassist at the time. Such was his importance to Ellington's band at the time, together with the tenor saxophonist Ben Webster, that it became known as the Blanton–Webster band. Blanton also recorded a series of bass and piano duets with Ellington and played in the "small group" sessions led by Barney Bigard, Rex Stewart, Johnny Hodges, and Cootie Williams in 1940-41.

In 1941, Blanton was diagnosed with tuberculosis, cutting short his tenure with Ellington. His last recording session was cut on September 26, 1941 in Hollywood. Blanton died the following year after retiring to a sanatorium in California, aged 23.

Jimmy Blanton is a bassist I've been hearing about since I can remember, but he was before my time; meaning jazz time when I started collecting records. Since I only collected AB records (AB stands for "After Bird") I don't know if I have him in my collection, but that can be remedied.

                      https://www.youtube.com/watch?v=zrvHckvHj90


                      https://www.youtube.com/watch?v=nPB7hBU6oj0




Here are two cuts by Mr. Blanton, You be the judge.


Enjoy the music

Folks...try Bosko Petrovic Quartet - Tiffany Girl...you wont be sorry...you will hear how Croatian jazz band play world class session....and good sound too....