Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
O-10 and Rok, perhaps it has not been obvious to you or to anyone else but me,  but I believe I have proven my willingness to, in spite of all the disagreement and nonsense, to try and be amicable and, at least, try to keep these discussions on a positive track.  I have even suggested some guidelines for what I feel is more positive and less contentious interaction.  Most of these efforts have been met with, at best, negative reaction and, at worst, ridicule.  O-10, no one thinks or has suggested that you are a moron, but you continue to interact in a way that is provocative and simply not very nice nor inclusive.  What is being discussed is obvious to me and, I think, others here.  So, if you want to take the discussions in a certain direction I suggest that you simply do so and try to keep the negative innuendo out of it.

Rok, we have been here before.  I have no need nor desire to "strut my stuff".  I would prefer to share and interact in discussions about music and discuss topics as they come up.  What you ask in your most recent post can be mostly answered by simply going back over previous discussions and doing simple internet searches and perhaps reconsidering your reaction to much of what was presented to you.  I am not about to make up for your "laziness" when previous efforts were dismissed and/or ridiculed.  Moreover, I don't believe the problem is any laziness on your part, but that of a very rigid and self-serving attitude about much of what we try to discuss.  This reaction on my part is not due to spite or anger, but simply the believe that the only way to have a chance at a real change in how we interact here is by frankness and then let the chips fall where they may.  You ask some interesting questions and, as I said, the answers are easily found in the readily available reading on the net.  Your last question is particularly interesting and I will take a stab at it when I have some time next.

****Should we separate the structure of music, from the artistic part of music, when speaking of influence?****

As I have said more times than I can remember: I hope we can do better going forward.







I get it, if there had not been any classical music, there would be no jazz. Jazz musicians who did not study classical music should be discounted. All jazz musicians studied classical music before they become jazz musicians. That's why Miles left Juilliard. Are all or any of the above correct?
O-10, how much Charles Ives have you listened to?  Until you have, any answer to your question will be meaningless.
I actually consider Charles Ives to be the quintessential American composer.  He wrote quite a lot of music - hundreds of songs, a very famous piano sonata called the Concord Sonata, and many pieces for orchestra.  A very short and popular piece for orchestra by Ives is called the Unanswered Question - that might be a good place to start.  One of his largest scale works is his 4th Symphony.  

By the way, Frogman, my father transcribed his violin sonata for clarinet.