Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

From Wikipedia, the free encyclopedia



The Cape Verdean Blues is an album by the Horace Silver Quintet, led by jazz pianist Horace Silver. The quintet is joined on half of these tracks by trombonist J.J. Johnson, with whom Silver had been eager to work for some time. The album was inspired by Silver's father, John Tavares Silva, who was born in Cape Verde.

Track listing
All tracks by Horace Silver, unless otherwise noted.
"The Cape Verdean Blues" - 4:59
"The African Queen" - 9:36
"Pretty Eyes" - 7:30
"Nutville" - 7:15
"Bonita" - 8:37
"Mo' Joe" (Joe Henderson) - 5:46
Recorded on October 1 (#1-3) and 22 (#4-6), 1965.


"Cape Verdean Blues"


          https://www.youtube.com/watch?v=0gt7QXwYpZo



Enjoy the music.


On this album both ours last mentioned  protagonists are playing. Aldo this is not my favourite album of Paul Chambers , there are some nice playing here as well. Here are some links from Paul Chambers sextet 'Whims of Chambers' from 1956. with Donald Byrd and Horace Silver, together with some other greats.

https://youtu.be/3op2LT4B5e8?list=PL6A0DDC005EAF991F

https://youtu.be/aI3eLPSQbzo?list=PL6A0DDC005EAF991F

https://youtu.be/kNhwQFRrS4Q?list=PL6A0DDC005EAF991F

https://youtu.be/c0t1-DxX5Ew?list=PL6A0DDC005EAF991F

Just for the record, some very nice albums of Donald Byrd have not been mentioned in previous posts. Will post a couple. Again, Byrd with Silver,
on 'Byrd's Eye View'

https://youtu.be/9E3-z7-hlh8

Imho 'Royal Flush' is also a fine effort with some great playing

https://youtu.be/7c6tzCXrqTc

There are couple more, all from early years, that I like, but its a quite long post already. Hope you will like it





Alex, Donald Byrd has one of the longest records in jazz history of producing consistent high quality jazz albums; but even when he left the "jazz reservation" he was still producing high quality music. Such a long record makes it easy to overlook some of his best.

I'm enjoying this "Paul Chambers" album big time; that's because I don't have it in my collection. Chambers perspective on this album takes me back to a more laid back time. My ability to go back in time, enables me to enjoy jazz much more than someone who can only hear through a present, 2016 perspective; someone who was not only alive at that time, but was quite active in listening to and collecting jazz, can surround themselves with scenes of the jazz nightclubs, and events at that time.

Middle 50,s to 61, was the time John Wright's album "South Side Soul", depicts the south side of Chicago; and to this day, they honor him and his album, on a certain day in the summer; that's because all they have left of that place and time is his album; that's the power of music.

When I go back to that time and place in Chicago, I enjoy the music that was created then, so much more.


Enjoy the music.

I just recieved a Grant Green CD, titled "His Majesty King Funk", and there is a picture of Grant Green that looks like the Grant Green I remember; anyway, this reads as follows:

"Throughout the Seventies and Eighties, Grant Green had become the forgotten man of jazz guitar. Overshadowed by such virtuosos as, first, Wes Montgomery, and later George Benson, Green was reduced to performing pop material with mediocre groups at the time of his death in 1979.

Some of his best recordings remained unissued until the Eighties, and were then only available in Japan in limited quanties."


That explains a lot of things for me; I've got all of these boss CD's by Grant Green, now the question is "Why aren't they LP's"? That's the way so many other people that I have in my collection are, the point is, if these albums were made back when, why didn't I have them in my collection "back when". This also coincides with some clown on "Agon" that's been saying that Grant Green had albums that couldn't be released because they were substandard. That also goes a long way to explain his economic troubles.

Right now, steam is coming out of both ears, so I'm not going to expand on the above paragraph; I'm going to put the CD in, and hear what it sounds like.


Enjoy the music.

 
I belive you will find it pleasing. I have that album for a long time now (edition with Donald Byrd's album on single cd) and I like it. I even like that Byrds alubum, no matter that on moments it sounds more like a soul/pop effort, melodies are quite 'catchy', still there are some fine playing.
Green
https://youtu.be/Dce3qcQ6qeE
Byrd
https://youtu.be/4oRJpv-SAb4