Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Stravinsky "Sacre":  One of the very greatest 20th century works.  Amazing piece of music!  Huge orchestra.  Yes, the music dictates that; that is how the composer scored it.  As you say, eight horns; and, two of them double on Wagner tubas.  Two of the trumpets double on bass (!) trumpet.  This is a brilliant piece of orchestration genius and definitely not a case of "let's throw everything in there but the kitchen sink" resulting in many fantastic colors and textures.  As an aside: this being a work written for a ballet and ballet orchestras having to be in a pit, there is a version of this work (done by Stravinsky himself) for reduced orchestra in order for the musicians to fit into the typically smaller space in a pit.

Good question re the printing of the music.  That is one of the jobs of a good editor and printer (publisher), to account for precisely what you describe.  It is the bane of every player's existence when a publisher does NOT do that and the music is printed in such a way that you have to turn the page in the middle of a passage.  They usually try and have the music at the end of a page end with a rest.  What you saw from the violinists is standard protocol; the stand partner turns while the other player keeps playing.

BTW, Van Sweden will be the NY Phil's next music director beginning 2017.
This amounts to a Classical Jam session.  I love the facial expressions and antics of the Soloist, The Principal, and the female cellist.

Notice how the Soloist and the Principal communicate without words. She seems to be watching the Bow of the Soloist. 
Love it!!!  
https://www.youtube.com/watch?v=zzE-kVadtNw

Thanks for the info on printing scores.

***** Stravinsky "Sacre":  One of the very greatest 20th century works.  Amazing piece of music!  *****

A simple "nice clip" would have sufficed.

Cheers
"nice clip"/Stravinsky "Sacre" : "nice tune"/Ellington "Black, Brown and Beige" 😉

BTW, this was what I originally wrote and partially deleted before posting:

++++One of the very greatest 20th century works. Amazing piece of music!  Up there with Classical works of.....well, let's go slow++++

O-10, glad you enjoyed that.  I am looking forward to seeing Mavis Staples live this July.
Vivaldi:

Nice! First of all, if I were one of those players I’d be watching her bow as well as her....ahem....what a beauty and what a player!

You made a comment recently about "heady stuff". Here’s some heady stuff: at the end of the day, as far as the CORE values of music making are concerned, there is FAR MORE commonality between this and the best jazz playing than there are differences. I’ll go hide now.