Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Ghosthouse, while I didn't like the Zappa band, I found another cut by "Sugercane" that I did like;


            https://www.youtube.com/watch?v=O5XAAB_kGR8



Enjoy the music.

Frogman, the first time I heard Grant Green was in 58 before he became a professional, which means I heard him far beyond his discography, that means I'm very well acquainted with just about everything about his music.



Review by Stephen Thomas Erlewine [-]
Mosaic released a four-disc box set titled The Complete Blue Note With Sonny Clark in 1991, rounding up everything that the guitarist and pianist recorded together between 1961 and 1962. Blue Note's 1997 version of the set, The Complete Quartets With Sonny Clark, trims Mosaic's collection by two discs, offering only the quartet sessions (the Ike Quebec sessions, Born to Be Blue and Blue and Sentimental, are available on individual discs). In some ways, this actually results in a more unified set, since it puts Green and Clark directly in the spotlight, with no saxophone to complete for solos, but it doesn't really matter if the music is presented as this double-disc set, the four-disc box, or the individual albums -- this is superb music, showcasing the guitarist and pianist at their very best. All of the sessions are straight-ahead bop but the music has a gentle, relaxed vibe that makes it warm, intimate, and accessible. Grant and Clark's mastery is subtle -- the music is so enjoyable, you may not notice the deftness of their improvisation and technique -- but that invests the music with the grace, style, and emotion that distinguishes The Complete Quartets. Small group hard bop rarely comes any better than this.


There is a possibility that I'm not accustomed to this "gentle relaxed vibe that makes it warm and intimate". Since I prefer his driving hard bop, it's just a matter of taste and opinion.




Enjoy the music.


Frogman, are you ready to go into fusion in depth; I mean to cover it to your hearts content, rather than just skim over it?


Enjoy the music.

Acman, now it's coming back to me; to the uninitiated, that sounds like noise, but, if you have special musical receptors in your brain that are tuned to "Fusion", it's music from another planet.

Somehow, that music was always best live with black lights that made ladies stockings glow, when they had the right kind of pastel hot pink kind.

The music was best live because no recording was ever clear enough to catch all the little sounds at high frequencies that made that kind of music work. And to be perfectly honest, I had always inhaled some kind of musical enhancement fumes; they really clarified the sound; not to be confused with what's going on today.



Enjoy the music.