Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
O-10:

Since the music seems to elicit such vivid mental images in your mind.   I would think that  Ellington would be your favorite artist.

Received Ellington's "New Orleans Suite" today.  Another home run.

Cheers
****Frogman, you are one of the most interesting individuals I have ever encountered***

Why, thanks O-10!  

Re your examples: I didn't confuse anything; I simply took your comments at face value as I'm not a mind reader.  Try being a bit clearer going forward if you want to avoid confusion.  Anyway, I hope your day turns a little less boring.

I am very intrigued by Wynton's use of cliches.  Let's make things interesting.  Could you please post some examples of what you mean?  Specific spots in recordings of his solos?   
 Thanks!


I can hear a musical phrase, and when I hear it again, recognize it, but I can't tell where I heard it the first time. Another thing is when a musician is "clinical", his music doesn't flow; I think that's the "Juilliard" effect. When people have been taught precisely how to do something, that's the way they do it; maybe classical music works in that fashion, but not jazz.

I have observed that when a musician has had little formal musical education, but somehow he's getting his musical message across, you only hear the part of his playing that reveals a lack of formal training.

When a person goes from one extreme (a degree from Juilliard) to the other extreme, which would be no formal training but has, what I can only identify as God given talent; in jazz, it's quite possible that the person with natural talent, to sound so much better than the person with the degree from Juilliard; especially if they're playing extemporaneous hard bop.

I notice you like to use the expression of "nuts and bolts" to indicate formal training, and musicians who rely on formal training sound mechanical; hence, your expression of "nuts and bolts" is quite appropriate.



Enjoy the music.
You don't have to tell us where you heard it previously. Just point to some examples.  Thanks.