Anything you liked at the Newport Show?


I’m surprised no one has reported back yet. I spent most of Sunday perusing the rooms and still managed to miss some. The ones I liked, in no particular order were:

The Quail Hill room with the Evolution Acoustic speakers (their biggest) fronted by daTZeel preamps and amps.
Quite large and yet relaxed, with all the trimmings one could ask for. Really. Even if I had the wallet, I wouldn’t have the room: those speaker are yuuge.

The Analysis Audio Omega speakers fronted by the Arion Audio gear (class D and tube hybrid).
Simply beguiling sound. Simply the best panels I’ve heard.

Avantgarde Uno XDS speakers fronted by Audiopax gear.
Very convincing and natural. No honk or tizziness. Just "where’s the sound coming from?"

Tonian Labs. I never got around to get Tony’s newest speaker’s model number but I stayed there for quite awhile.
Fronted by a simple Denon integrated and a mid level CD player it put out the most convincing percussion work.
Drums, cymbals, etc. had the impact, shimmer and air of the real thing. Oud, bass and bass clarinet never sounded so real. I see why Tony was absent from the audio scene for the last 4 years as he’s been very busy designing and building his new driver. What it has over the PHY drivers he used to use has to be heard to be believed. I still need to hear more complex music through them but I think it would pass the muster, easily.

Spatial Audio Hologram speakers had me at first listen. Open, clear and very realistic from on high to down low enough for me. I can see why they are now selling more of these than any other speaker under $5K.

Purist Audio Design speakers and I can’t remember what they were fronted with.
Remarkable sound without any grandstanding, like the Evoultion Acoustics.

Legacy V speakers fronted by Raven tube gear.
As big as the room was, it still needed more room but for as large as they were, they only played what was called for without bombast. There was one track with multiple drums playing and I could hear each and every one. Seriously good sound. Seriously priced as well.

Ryan speakers fronted by Auralic gear.
Although "mid level", I could easily live with this set up, and I’m talking about the R630 speaker, not their top of the line model. Some of the easiest listening I’ve done. Also, the wireless streaming bettered the TT by more than a fair margin. Auralic is really onto something. They now offer up to 2TB in their streamer and buffers it with the volume being done in the analog domain so there’s no decimating the signal.

The PBN Liberty speakers (again, forgot the gear) made for the most convincing live jazz club sound I’ve heard.
I’ve never heard a TT sound so alive with so much air. Mostly, they convey oddles of midrange warmth and seduce but this set up rang my bell. When seated in front, the band was directly behind the speakers.

Last but not least, was the Audionote UK room on the 14th floor. From the hallway with the door ajar (they all had towels wrapped around the arm locks so to muffle the noise of closing) I thought it was one of the most "live" sounds I heard. As I backed my way in, slowly closing the door so as to not disturb, it just sounded all the more real. When I turned around, there was cellist Vincent Belander playing counter point to whatever was playing on the Audionote system. Easily worth the price of admission and the drive.

There’s more but I can’t remember all of them right now and I’ll forgo the ones that left me scratching my head as I don’t want to offend anyone here but it really both amazes and dismays what I read about certain gear and what I hear for myself. To thine own ears be true.

All the best,
Nonoise




128x128nonoise
Lance sounds like a worthwhile cross country trip for you. 

Hope to to get down your way soon.  Am also hoping to make caf for at least a day. 

As you might guess the GP speakers are on my list of speakers to hear.   Might be at CAF.   Have heard the MBLs at United Home Audio and they are very special. 

Dougmc,

I quote you "Sabrinas were used in the Peachtree room on the 11th floor. Peachtree featured two integrated amps/dacs: one for $1,500 and one for $2,000. The speakers on the lower priced model were the new $500 Elac bookshelf speaker, and the speakers on the higher price model were the Sabrinas."

So, did you like the Sabrina's with the Peachtree? I've really liked the Sabrina's the two times I've heard them with both ARC and D'Agostino power. A bit to a lot out of my comfort zone on a total price basis though.

I heard the German Physiks with Merrill mono blocks but was underwhelmed. Goes to show you how much taste varies. And probably the tracks I heard played weren't up to the task. The speakers just sounded lack luster. You could tell the amps could grip the speakers and they had authority but there was no energy or liveliness to them. Makes me wish I went back to the 14th floor for an additional listen. Who knows, maybe I'd have had a different experience then.

Gamut room was nice, very lively open analog sound.

Met up with lancelock  and this was my first ever audio show.  Like lance I found some things I really enjoyed, but nothing that made me feel that my system was particularly lacking, even compared to the mega buck systems.

i am learning that various systems have strengths with different genres. The hardest thing for me to understand is the goofy music that is constantly played in these rooms.  I like a variety of music, but what I hear as audiophile music makes evaluating a system very tough.  I listen to some very mainstream classical, old alternative music from the 80's, typical 70's fare such as Gerry rafferty and Dan fogelberg, as well as new age such as montreaux, Patrick ohearn, Alison brown, etc.. None of which gets played.  However you'll have plenty of rooms playing cricket farts and toenails being clipped.  It makes it hard to tell if I actually like what I am hearing or not.  I will bring a sample cd and lp to the next show show I attend.

i felt the gamut room was fantastic and relatively affordable.  I went there on at least 4-5 occasions and it always sounded very good.  I was also astounded by the lack of room treatment.  It was a warm musical system that I could easily live with and not feel that it was taking over the room.

this was my first chance to hear mbl and I was impressed by its ability to just completely fill the room.  There wasn't a bad seat in the place.

nola with the vac gear was also notable.  I have a friend who,sings Nola praises and after that room I kinda agree.  A softer, expansive presentation that somehow doesn't lack for detail.  Not a very immediate sound, but utterly non fatiguing.

i also liked the evolution acoustics room.  Gorgeous and massive.  Great sound in that room when I sat in the sweet spot.  But, yikes.  Even selling a kidney would come up short to buy that set up!

hopefully I will be better organized next year.  I apparently missed quite a few rooms so take my comments with a grain of salt.

I wasn’t able to visit most of the rooms mentioned, but the room that really knocked me out was Kyron Audio from Australia.

Their Kronos speakers are cone dipoles and they are powered by a large box that is an all-in-one (dac, preamp, amp).

They played music with great transparency but, somehow, not all the cues that tell you you’re listening to recorded music.

Huge soundstage, great depth and layering, great clarity, each instrument playing in it’s own space. Very natural and musical, the sound was mesmerizing.

Way too much for me to afford, of course, but I wish I could.

Mapman, I am available any day after this weekend so make a day to come by for a listen. See you at CAF.

Pokey77, I guess we do hear differently. I will admit I was in the German Physiks room at the end of the day and only heard two tracks, one being much better than the other. Interesting.

2out2sea, it was great hanging out with you at the show and the rest of the Janszen zA2.1 speaker owners club. I had a blast.