Anyone use a subwoofer system with YG Carmel


Anyone have success using a subwoofer with YG Carmel speakers? I am thinking a subwoofer if integrated correctly might add some volume and weight to the lower bass frequecny. Don't get me wrong the bass of the carmel is really good just that on some music material it would be better  to have a little more volume and weight at the lower bass frequencies.
Thanks.

tubecadet
Yes I use two JL audin Evo 10s I X thrm over higher around 70hz and blended nicely . Articulate and fast. 
I don't understand why so many hate subwoofers.  Since bass is largely a room pressurization/depressurization effect, few speakers can compete with a subwoofer in this regard.  I have a JL Audio F113 subwoofer, and yes, it did take a little work to get it to blend in seamlessly with my single-driver speakers, but music doesn't have the same impact without it.  I cannot imagine music without it.  Well, yeah, a lot of music doesn't have low bass but I can hear some spatial cues that go missing when I turn the sub off.
@rlawry because integration with the room is more difficult as you go down in frequency, so many buy them expecting them to be plug and play.  the subs never get integrated correctly and the consumer blames the sub.
What I have found is that the lower the crossover point, the better the integration between the sub and satellite speakers.  This probably makes sense since the lower the frequency, the more the frequency takes on a 4 pi wavefront and the more difficult it is for your ears to locate the position of the sub.  I have seen demonstrations at audio shows that indicate the effect.  I once saw one that used an Eminent Technology rotary woofer that uses blades to chop the air into frequency waves similarly to a helicopter blade, which can go down essentially to 0 Hz, i.e. DC.  I have also heard systems that attempt to cross the sub and speakers at a point over 100 Hz and it was pretty easy to hear the sub banging away in a corner.
@rlawry Yes, it's a known effect that the frequency at which sounds can be localized for humans is around 100-120Hz. This is why the THX reference crossover frequency is around 80.

When I say Integration, I mean two things. Speaker integration means that the frequency response and amplitude from the subwoofer to the speaker is measurably seamless.  The measured response should be like measuring one large speaker, not a speaker plus a sub.

The second, much more difficult part is to integrate into the room.  While managing the radiating patterns of a speaker as it goes from omni to directional is important, at the low end almost all speakers are acting as omnidirectional radiators.

Subwoofers however are purely omni. At 80Hz the wavelength is approximately 15' or around 5m. 

The bigger issue for subs, or any full-range speaker is the way rooms behave. As you go down in frequency you find room modes.  Peaks and valleys that the room acts like a bell and rings. It's more than just about radiating direction. This is why parametric EQ's and bass traps become so important.  I've measured over +-20dB variations in modest living rooms under 80 Hz. That's the equivalent of 20x more or less power output. A 200 watt sub may sound like it's a 4000 watt sub at certain frequencies.

Unfortunately most attribute these problems to any number of mythical goblins which aren't really to blame.  My favorite is "Electrostatic speakers are too fast for a subwoofer."  Bunk.

That ET subwoofer with the blades, didn't chop up the sound. It acts like a fan that could change direction very rapidly (for a fan).

Look at it this way. There's no difference between a desktop fan and a speaker in terms of producing positive air pressure. A woofer pushing towards you produces the same effect as a fan turning so that air moves towards you.  At 0 Hz we don't call it sound, we call it "wind" . :) What your desktop fan cannot do very quickly is change directions.  My ceiling fan takes about half a minute to do this, so for all practical purposes I am limited to a 0 Hz output.

The bladed subwoofer is a very cool idea, which is to use a fan with a DC coupled motor that can change direction nearly instantly (compared to my ceiling fan).  To produce a positive going output, the blades turn one way.  When it reaches the peak, the blades turn another.

One big advantage of this is that there is no maximum excursion limit.  With a woofer, you have a maximum amount of movement, measured in millimeters and often spec'd as Xmax. Beyond this damage will occur, but even before this there is significant non-linearity in travel. A fan based subwoofer however can turn infinitely in one direction, allowing for a genuine 0Hz wind.

But I digress....again! :)


Best,


Erik