About the time this post was listed, I was in search of a line stage. Based on Arthur's review along with all positive responses with whatever I could find, I took advantage of the Hornshoppe's money back guarantee if not satisfied. I was fully prepared to return it if it was not a really good match for my system. I mean $1000 for a potentially great line stage? Where could my down side be?
First let me say that even though I have been involved with audio since about 1967, and an audiophile (I like to think) starting about 5 years after that, I've never been technically knowledgeable and am not much use in that department. However, I believe I know what music sounds like when properly performed.
With that being said for reference I happened to have owned and in-home auditioned more preamps than any other piece of the art by a good margin. With an earlier system I owned a Kenwood 700c , McIntosh 26, AGI, Audio Research SP6-A, Mark Levinson ML-1, and a Moore Franklin Luminescence. I also auditioned a Berning 10 (I can't remember the letters for the Berning model).
With my current system I have a Counterpoint SA-5, Doge 8LP, and now for the past about 90 days have the Truth line stage. I also had a Superphon Revelation Basic and auditioned a DeHavilland UltraVerve, and an Eastern Electric Avant.
The Truth is easily the most complete preamp I have ever experienced, meaning I cannot after 90 days find any weakness with the audio performance of this product. In fact the improvement at least in my system was so pronounced that it seemed to me to be greater than I would expect from one component.
It is a solid state device which needs to be left on all the time, and takes about 72 hours to reach it's capabilities. When it arrived new I let it warm up 24 hours before my first listening session and immediately knew something special was here, but it was a little bit solid state sounding which is not my preference for preamps. The tube like quality for lack of a better description was evident after about 20 or so hours of listening with being connected for well over 72 hours.
2 caveats should be observed by anyone considering this line-stage. First if you need a gorgeous audio piece to complete your environment you better look elsewhere. If I saw this thing dusty at a garage sale, I wouldn't give you $10 for it. For this there is a solution. Ed Schilling will put it in any fancy box that fits the small size requirement that you may want "if you want to throw away your money" he had said to me during one of our conversations. The only thing I hate is the volume control, which is part of this unique design. It goes from about 3 o'clock to about 1:30. Until about 9:00 you hear nothing, then at about 12:00 would be for say a dinner party ambience. Everything happens between 12:30 and 1:30 which is very touchy. But there is a saying that every diamond has a flaw.
If you talk to Ed, he sounds very down to earth and not high tech at all. Or maybe he just knew I have no clue about the ins and outs of his invention.
With the cost of this thing and a no risk guarantee you might want do yourself a huge favor and check out this line stage.
I have my last preamp.
Best Wishes,
LP
First let me say that even though I have been involved with audio since about 1967, and an audiophile (I like to think) starting about 5 years after that, I've never been technically knowledgeable and am not much use in that department. However, I believe I know what music sounds like when properly performed.
With that being said for reference I happened to have owned and in-home auditioned more preamps than any other piece of the art by a good margin. With an earlier system I owned a Kenwood 700c , McIntosh 26, AGI, Audio Research SP6-A, Mark Levinson ML-1, and a Moore Franklin Luminescence. I also auditioned a Berning 10 (I can't remember the letters for the Berning model).
With my current system I have a Counterpoint SA-5, Doge 8LP, and now for the past about 90 days have the Truth line stage. I also had a Superphon Revelation Basic and auditioned a DeHavilland UltraVerve, and an Eastern Electric Avant.
The Truth is easily the most complete preamp I have ever experienced, meaning I cannot after 90 days find any weakness with the audio performance of this product. In fact the improvement at least in my system was so pronounced that it seemed to me to be greater than I would expect from one component.
It is a solid state device which needs to be left on all the time, and takes about 72 hours to reach it's capabilities. When it arrived new I let it warm up 24 hours before my first listening session and immediately knew something special was here, but it was a little bit solid state sounding which is not my preference for preamps. The tube like quality for lack of a better description was evident after about 20 or so hours of listening with being connected for well over 72 hours.
2 caveats should be observed by anyone considering this line-stage. First if you need a gorgeous audio piece to complete your environment you better look elsewhere. If I saw this thing dusty at a garage sale, I wouldn't give you $10 for it. For this there is a solution. Ed Schilling will put it in any fancy box that fits the small size requirement that you may want "if you want to throw away your money" he had said to me during one of our conversations. The only thing I hate is the volume control, which is part of this unique design. It goes from about 3 o'clock to about 1:30. Until about 9:00 you hear nothing, then at about 12:00 would be for say a dinner party ambience. Everything happens between 12:30 and 1:30 which is very touchy. But there is a saying that every diamond has a flaw.
If you talk to Ed, he sounds very down to earth and not high tech at all. Or maybe he just knew I have no clue about the ins and outs of his invention.
With the cost of this thing and a no risk guarantee you might want do yourself a huge favor and check out this line stage.
I have my last preamp.
Best Wishes,
LP