Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Thank you very much for your input Alex. From what I've been studying, the rich are getting richer, and the poor are getting poorer; that's a manufactured fact, not an opinion.

Although we are all aware of the culture factor, now the economic factor is in play big time; it not only relates to jazz, it relates to everything else.

I know exactly what you mean about clubs half full; this economic thing is world wide, here, the ghetto is third world. I saw those poor people in Cuba, and their teeth looked a lot better than teeth in the ghetto; not pushing anything Frogman, just relaying what I observed on the posts you submitted of poor people singing.

Reality is not something you put a smiling face on, but look at it for what it is, and do what you can to change it, if it's ugly. Not trying to start a different conversation, just looking for some economic facts from honest people, minus propaganda.
***** I want to know whether or not the fact that jazz musicians are seen so much in foreign countries is a culture factor, or an economic one;*****

It's an economic / business factor.  The world is now one giant market.   There are just as many Foreigners coming here to make money as are Americans going abroad.

That old paradigm of the black Jazz musician going to Europe because there was no racism and the Europeans 'appreciated' Jazz more, was never true.  Just a convergence of circumstances in the world.

Some interesting facts:  The new 2017 Ford Taurus has been on display in china for months.  Designed for the Chinese market.  No sign of it here yet.   The new 2017 Buick LaCrosse was designed for the Chinese market and will be built in China.   We get whatever the Chinese want now.   Buick sells many, many more Cars in China, than the US.

So foreign is almost becoming a meaningless term.

You take your product to where the market for it is.   The market for Jazz is all over the world, just a small market is every part of the world.

On the other hand, the good folks of Stuttgart invited a Jazz singer to a classical outing.  Maybe they needed something to draw a crowd also.  People like the new and different.

Cheers
FYI, Americans have the best teeth in the world.   News reporters in Europe comment on this quite  often, esp in the U.K.

Put that Kool Aid back in the fridge.

Cheers