Jazz for aficionados
Orpheus 10, I have the record as well and I'm pretty sure it's an original pressing. It was giving to me as a gift by a well intentioned family member who got it from a store I think is called Urban Outfitters selling "curated used vinyl" Good vinyl is where you find it I suppose but not my first consideration. But hey I shop at thrift stores. Ghost, your funny, narrow bandwidth, guilty as well, but I try. In my case it's the old router itself or modem or whichever it is that can't keep up. Thing is I'm okay with it. I'm not looking to impress nobody with my sophistication or lack there of. Im gonna go out on a limb and say it's a better record, or at least deserves the same cache, that two other records that bookended Morning Dance, and put out by another pop jazz group. Both of which get mentioned quite a bit for sonics and perfectly other legitimate reasons to my ears as well. I'm referring to Aja and Gaucho. |
Alex, fantastic post featuring the clarinet! That Tatum/DeFranco record has been one of my desert island records for a long time. Incredible level of artistry and style with a kind of musical innosence and elegance that was partly lost as jazz became more "serious" and "edgy". Love that style of playing. The Tony Scott/Bill Evans was new to me. Very nice. Very appropriate to bring up Barney Bigard; a good chronological place to start when looking at jazz clarinet. Classic Barney Bigard: https://m.youtube.com/watch?v=FS92-mCewJ4 The great Jimmy Hamilton replaced Bigard in Duke's band with a more developed clarinet tone. My favorite of the clarinet players from that era: https://m.youtube.com/watch?list=PL1gmh6xxFkfg63G__TZ8efK4CVpgeOc3r&v=_0OLAvrIOdI https://m.youtube.com/watch?list=PL1gmh6xxFkfg63G__TZ8efK4CVpgeOc3r¶ms=EAEYATgBSAFYJGILXzBPT... If the clarinet is sadly not always considered the "hippest" instrument in jazz, how about clarinet with accordion 😊. Love this record for its "fun" factor: https://m.youtube.com/watch?v=IEXqtpzQ9bk My favorite current clarinetist playing in a more traditional style. Fantastic clarinet player with a gorgeous clarinet tone: https://m.youtube.com/watch?v=Elafx3b6GK0 https://m.youtube.com/watch?v=rnf14fuZ9L0 |
fourwnds, I agree with the comments that what matters is whether you like Spyrogyra or not. Personally, I would be even a bit more generous in my assessment of "Morning Dance". While I can’t claim to be up to date on Spyrogyra’s total or recent "oeuvre", I remember that record fondly from college days and I believe I still have it. I would put that record in the same general category of "smooth jazz", "fusion jazz", whatever, as some of the music of Chuck Mangione. The title that works best for me is simply "pop-jazz"; of the better kind. As with much of Chuck Mangione’s music it is tuneful with strong compositional and production values and very good instrumental playing with a "pop" music sensibility. Saxophonist Jay Beckenstein can really play and he plays with a very pretty tone not the cliched and obnoxious, fast vibrato-laden, Dave Sanborn-wannabe kind of tone heard in most saxophone based "smooth jazz". I wouldn’t focus too much on whether it is "real jazz" or not for validation, but rather on whether it is good music or not. Yeah, it’s probably "better" than some current jazz, but I could make a case for why it’s also better than some old (real?) jazz that can be found on record. It’s not the genre that determines whether it’s good or not. While some can make a case for why steak is necessarily "better" than hamburger, sometimes there’s nothing like a great burger and I have had some pretty bad steaks in my time. What I would reconsider is the suggestion that this record is on a par with Steely Dan’s work (especially "Aja"). Clearly a personal call, but SD is, generally, on a considerably higher level of musical craft if not as immediately accessible and tuneful as Spyrogyra. Welcome to the thread! |
