Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

2-11-2016 10:09am


Ghosthouse, in some ways, jazz is almost like a religion, especially the standards. Since I'm one of the leading proponents of this faith, I consider it sacrilegious when an artist defiles one of the sacred tunes by playing it all wrong to the extent that the tune loses it's original meaning, and empathy with those who it was meant for.

I made that statement to "Ghosthouse" in humor, and I think he would have taken it that way, but what does Frogman say:
12-11-2016 11:41am
**** jazz is almost like a religion ****

This is true; for some. I would then ask that we consider all the single-mindedness, upheaval, hatred and violence that a strict and rigid interpretation of religion has wrought on humanity. With the exception of the violence and hatred (I hope), I think that the parallels to some of our discussions (?) about music are pretty obvious.


The statement I made to "Ghosthouse" was in humor, so I thought; but Frogman's trolly jumped the tracks in a big way on a statement that was made to Ghosthouse; I don't see where he even needed to respond to the statement.

Next he says I'm being contentious, after he's jumped in a conversation not even meant for him; how does he know what interpretation the person who the statement was meant for would have made? I don't think Ghosthouse would have taken the statement in that direction.

His statement in regard to religion was not my statement, yet he makes this as though it was something I was thinking.

Why does he always do this to a statement I made to someone else. When I make a statement to Rok, the same statement could mean something entirely different as when I make the statement to Ghosthouse. But how can Frogman get the right interpretation when the statement is addressed specifically to another person?

After Frogman draws me into one of his "diatribes" he wants to keep it going forever, and say I'm the one whose "contentious".


I tried to change the subject and the mood, but I didn't succeed; therefore I feel I should give my version of the incident.


I wanted to make you all aware of what I think is one of the most interesting jazz compositions and jazz statements in recent years. Ted Nash, longtime member of Wynton Marsalis’ "Jazz At Lincoln Center Orchestra" is one of the most creative musicians on the jazz scene today. He composed this work as an eight movement work titled "Presidential Suite" / Eight Variations On Freedom. The inspiration for the work, and each of the movements (variations), was eight addresses or speeches by important US and world leaders.

Besides the subject, particularly significant on this US presidential election year, one of the things that makes the work so interesting is that each movement reflects the cadence of each president or world leader’s speaking voice, that leader’s personality and the time in history when the speech was given. The composer is very effective in reflecting these things in the music while remaining true to the spirit and tradition of jazz. Great compositions with some smoking jazz solos by some notable guest soloists. The second of this two disc set features readings by well known actors of excerpts from these speeches. The recording has been nominated for two Grammy awards this year. Highly recommended; especially for anyone who still thinks there isn’t really great and creative new things happening in the jazz world today.

http://www.youtube.com/playlist?list=PLGZ850dD0XW7C82HUemCpGzQsy342jf9T

(Btw, what was that strange noise? I thought I heard a strange noise in the room next door...) 😳