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Jazz for aficionados

Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
frogman
4,637 posts
 
Re the Africa thing and your last post. Please reread what has been said about this. You have blinders on because the idea that your long-held views could be off base is apparently difficult to digest. No one (O-10) said anything about drums in the US; rather, the Caribbean. You obviously did not read my explanation on "influence" vs creation, nor the comment about the instruments being simply a means to an end.
orpheus10 OP
5,988 posts
 

Frogman, I was just joking about the drum, but seriously, how long did it take for African slaves to cease their "Africanity" (new word) and simply become their own people. Even "genetically", some African Americans are more European than African. Remember, one drop of African blood constitutes being an African American; some African Americans have blue eyes and straight hair, they can pass for white. There is nothing that can be traced back to present day African Americans, and that is what makes "Bird" so unique, when you listen to "Bird" as intently as I do, a whole new music was born, I call it "Bird Bop".

Now when you use the word INFLUENCE, almost nothing can be invalidated; however, I can separate Bird from Trane, when Trane is blowing; there was more of Bird in early Trane, but before he died, there was pure "Trane", without any Bird.

Enjoy the music.
orpheus10 OP
5,988 posts
 

Frogman, we've been into the evolution of jazz in relation to Africa, from slavery to the present; I wonder how it would go if we went in reverse; I mean what music in Africa that has been influenced by jazz from here.

Acman could lead this parade, I believe he has been into African oriented jazz from Africa.

Enjoy the music.
schubert
4,867 posts
 
Frogman, why do you waste your time and effort to even bother with such a complete fool ?
rok2id's avatar
rok2id
4,494 posts
 
***I don't know what to say. However, I will say that I am still waiting for a cogent explanation about how the masses are who decide what is good when it is the masses who deem the likes of Kenny G, Madonna, etc. as worthy of their support.*****

There you go again. I did not say what the masses decided what was good in an absolute sense.. And your example proves my point. You said Bolero was his least important work. I did not say it wasn't, I said the masses decided it was his best work, by their criteria. Stay focused. I say 'exactly' what I mean to say. No more, no less.
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