Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Modern jazz is a style of jazz characterized by fast tempo, instrumental virtuosity, and improvisation based on the combination of harmonic structure and melody. This style of jazz ultimately became synonymous with bebop, as either category reached a certain final maturity in the 1960's.

I put that definition up there for others; while my definition is quite similar, it is unwavering. Anybody who doesn't like my definition can find another one, or write their own.

This definition indicates a style of jazz synonymous with "Be Bop"; that's what "Bird" invented with a little help from some friends. For the true connoisseurs of "Be Bop", "Birds" Bop is the only "Bop" that has withstood the test of time; his Bop sounds like music played at a fast pace, while others sounds like a lot of notes played real fast, and people accepted it as Bop.

In the formal definition, it states that "modern Jazz" reached it's maturity in the 60's, and that's "Koshure" with me. It doesn't have a cutoff date, like January 7, 1964, but I hope you get my drift. If you are a seasoned "aficionado", I'm sure you do.

Hopefully this post will cut down on a lot of confusion, but for some, everything adds confusion; consequently we will have to let them remain in their perpetual state of confusion.


After "modern jazz" reached it's final maturity, what followed was "Yankee Doodle stuck a feather in his hat, and called it macaroni". I figure it's good enough that we can almost define one segment of jazz, without defining all abstract music.

Presently I'm down loading my vinyl to the computer library, which is something that pays great dividends after a significant analog upgrade in the front end. The most welcome surprise is all the "brand new" old records; evidently, when I saw a new record of one of my favorite worn records, I bought it. This must have occurred when we changed from LP to CD, because for ages I didn't even have a cartridge, and therefore played no LP's. For the record, this stuff in no way compares to analog back in the day, when a BIC turntable and top of the line "Shure" or "Empire" cartridge was hot stuff.

I'm going to share with you what I just down loaded; "Bobby Hutcherson, San Francisco featuring Harold Land".


      https://www.youtube.com/watch?v=cgXmbhkWkwk


This tune is representative of the entire album, it's a real winner;


Enjoy the music.





I saw this on "you tube" and it brought me back to the time I saw "Sammy".

I had never been a fan of "Sammy", like being a fan of "Bird", or Miles, or any of the other jazz musicians. My fiance bought some tickets, and told me we were going to see "Sammy Davis Jr." "He ain't Trane, but I've never seen him before", were my thoughts.


There are no words that can describe "Sammy Davis Jr."; he had a packed auditorium of people spellbound from the time he came on stage until the end. He put on a performance like I've never seen before nor since; after that, I understood why so many people go "Ga Ga" over "Sammy Davis Jr."

     
        https://www.youtube.com/watch?v=gkDu2onYeyk







Enjoy the music.

   
I saw this on "you tube" and it brought me back to the time I saw "Sammy".

I had never been a fan of "Sammy", like being a fan of "Bird", or Miles, or any of the other jazz musicians. My fiance bought some tickets, and told me we were going to see "Sammy Davis Jr." "He ain't Trane, but I've never seen him before", were my thoughts.


There are no words that can describe "Sammy Davis Jr."; he had a packed auditorium of people spellbound from the time he came on stage until the end. He put on a performance like I've never seen before nor since; after that, I understood why so many people go "Ga Ga" over "Sammy Davis Jr."

     
        https://www.youtube.com/watch?v=gkDu2onYeyk


        https://www.youtube.com/watch?v=gkDu2onYeyk







Enjoy the music.
Kurt Elling:

I suspect he struck me the same way Rachelle Ferrell struck when she did autumn Leaves.   A little over the top.

Cheers