Thanks for the responses.
Steve, thanks I do love my system. I am baffled with this problem (disapointed actually). I have the temporary crossover in place right now. It is a single ended crossover. I will get the balanced version to use when I decide which crossover I require. Having said that, this shouldnt be the problem.
Do you guys think that the Bryston SP1.7 will send LFE signals to the 3A/2WQ as well as the the LFE sub (V2W) with the main speakers set to "Large"?
I have Bryston balanced interconnents for all of my channels but have used cheap single ended cables for the temporary sub crossover. Once I know which one I need I will replace the it with the balanced version of the crossover.
When I hooked the sub up the as noted above, the levels for the main speakers and the sub were way out and had to be readjusted on the SP1.7. Why?
Right or wrong, I know that many people that are more into music than movies have chosen to use a pair of these 2WQs rather than going with the V2W with no issues.
Again, my suspicion is that when the speakers are set to "large" on the SP1.7 it sends LFE info to them as well even though the processor is set with a LFE sub active?
I used Digital Video essentials to set the levels. When I did so, with the setting as described above, the sub pink noise went to both the V2W (LFE sub) and the 2WQ.
When I use the SP.1.7 pink noise it only appears on the LFE sub.
When I turn up the level for the LFE it appears that not only does the V2W (LFE sub) get louder but so does the 2WQ that is being used with my main speakers.
Dhel, I have actually tried turning down the "Q" with the thought that it should reduce the amount of the bass thus not bottoming out the 2WQ. Problem was still present.
Albert, I hear you on being tempted to crank things up for movies but that isnt my case here (at least not intentionally).
Your help would be appreciated.
Steve, thanks I do love my system. I am baffled with this problem (disapointed actually). I have the temporary crossover in place right now. It is a single ended crossover. I will get the balanced version to use when I decide which crossover I require. Having said that, this shouldnt be the problem.
Do you guys think that the Bryston SP1.7 will send LFE signals to the 3A/2WQ as well as the the LFE sub (V2W) with the main speakers set to "Large"?
I have Bryston balanced interconnents for all of my channels but have used cheap single ended cables for the temporary sub crossover. Once I know which one I need I will replace the it with the balanced version of the crossover.
When I hooked the sub up the as noted above, the levels for the main speakers and the sub were way out and had to be readjusted on the SP1.7. Why?
Right or wrong, I know that many people that are more into music than movies have chosen to use a pair of these 2WQs rather than going with the V2W with no issues.
Again, my suspicion is that when the speakers are set to "large" on the SP1.7 it sends LFE info to them as well even though the processor is set with a LFE sub active?
I used Digital Video essentials to set the levels. When I did so, with the setting as described above, the sub pink noise went to both the V2W (LFE sub) and the 2WQ.
When I use the SP.1.7 pink noise it only appears on the LFE sub.
When I turn up the level for the LFE it appears that not only does the V2W (LFE sub) get louder but so does the 2WQ that is being used with my main speakers.
Dhel, I have actually tried turning down the "Q" with the thought that it should reduce the amount of the bass thus not bottoming out the 2WQ. Problem was still present.
Albert, I hear you on being tempted to crank things up for movies but that isnt my case here (at least not intentionally).
Your help would be appreciated.