Class D = Trash?


So, I'm on my second class D amp. The first one, a Teac AI-301DA which claimed to use an ICE module, was unlistenable trash. I burned it in for a few weeks, it just couldn't perform, so I sent it back. Following that, I tried the new Emotiva A-300 (class A/B). It was significantly better, but lacking in too many ways for my tastes. So I changed gears, got an 845 SET from China -- and it was an immediate and massive improvement.

So, before I went further down the SET road, I wanted to try a better class D product using a modern class D module. I settled on the D-Sonic M3-800S with the Pascal module and custom input stage. I read from reviews that these things like to have big cables, so I picked up an eBay 8 gauge power cable (Maze Audio, el-cheapo Oyaide copy plugs, braided 4-wire cable) to go along with it.

Mid-range GONE.
Soundstage depth CRUSHED.
Euphonics DISAPPEARED.

Yes, resolution went up. Driver control went up, allowing me to play compressed rock/pop and orchestra with the speakers being able to render it all. But enjoyment in the sound is basically gone. Using my best power cable (LessLoss Original) improved performance, but didn't fundamentally change the amp's nature. I ran back to my headphones (Focal Utopias) to detox my ear canals.

So, how long does a class D need to burn-in? I want to give it a fair shake before writing the technology off forever. 
madavid0
Astewart - I will always read these threads because I'll always learn something.

In this case I learned that in one person's opinion:

  • Chane 1.4s, garbage 
  • Zu Omen Mk.II -- good dyanmics, okay-ish resolution, forward but shallow soundstage. 
  • Fritz Carbon 7 - Need to be run with tubes (based on reviews I researched)

And that if you're on a tight budget to get a good amplifier match to run Fritz bookshelf speakers in a pinch that Chinese copies available on eBay aren't that bad.

Actually - Here's what I learned:

Everyone has their own personal taste and idea of what "perfect" or "horrible" sound is.  Have also observed that these biases probably come from some other source, reason or event unrelated to the product itself (room, hearing, what you grew up liking, budget, etc.).

Good thing, is that there's something for everyone and all the fun is in pursuing your perfect sound and system within your ever-changing budget.

Happy to have a forum where we can openly discuss our own preferences and experiences with the very infrequent d*ck ruining everyone else's good time and enjoyment of their music and systems (literally I can count them on one hand).  

The vast majority of people here are true enthusiasts and very gracious.

As for burn-in...  Yes, burn in is a factor but if you don't like the sound (at least a little) "out of the box", it's doubtful you ever will even if the sound is correct and perfect for someone else.

Greg

Gregkohanmim, thanks for the 'go' at attitude correction...;)

D tech is still in relative infancy as the classes go.  Some are already embracing it, others repelled by it.  'Bout on par with all the other classes, given the rather small 'survey group IMHO.  We could discuss/argue the subject ad infinitum and end up back at the start yet again...

Re 'break in', that might be true for any 'solid state' amp, although I've never seen any comment about existing 'non-D' amps.  And when break-in is claimed to take 1K+ hours, I find self wondering which is being 'broken in', the amp or the listener?

Just MHO...  New stuff always seems to bother purists in some way...always has before....;)
I will say this: the first day of the D-Sonic was absolutely horrid, the mids were so rolled off that the ends of words were missing altogether. I figured that was just first-day garbage, and thankfully that's all that it was.

My 845 only took a few hundred hours to burn in. 1200 hours, jesus...I also read someone say that class D can get worse before it gets better during burn-in. D-Sonic offers a 30 day trial period, I guess that's a good 700+ hours. SIGH!

I'm not married to the Fritz speakers, either. I still have the Zu Omens. I do like their forcefull dynamics, and if the D-Sonic can give them depth to their soundstage...eventually...that might be the way I go.


"The kids were so rolled off that the ends of words were missing altogether"

That is one of the strangest things I have ever read on here.
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