Meanwhile, with these new SR Blacks, it got to where I had so many people playing in my living room, I had to go out the back door and come in through the front. I was hoping to switch the feeling of, "They are here" with "It's like you are there", but I was doubly confused when, upon entering, they stopped and greeted me with, "This isn't who it would be if it wasn't who it is". Man, these Blacks in my AC mains are blowing me away--to what do I owe this aural transfiguration? I did have SR Black 8A fuses in my ARC 210s, which call for a stock 7A. I had ordered some extra fuses during the three-for-two sale, so I pushed those 8A's up to 10A's. Sure, I could take a hit on ruination, but I have 240 volts at the wall anyway, meaning, I have already put my faith in that step-down transformer for 4000W of smooth power---why not push the envelope on those gatekeeper fuses--so what's with these things? Is all that power really going through those tiny filaments, or are they on a side track, ready to receive an overload off the main flow? But then, none of the amps work without those fuses, so tell me--why do these things sound so much better three amps over stock? I am just floored by yet another plateau of rich detail, and I was really only looking for something out of putting the SR Blacks in my REL Strata III's. All combined, I feel like I am there, they are here, and we are all one big metaphysical mashup--damn, this is some good sh-t......
Synergistic Red Fuse ...
I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...
Any comments from anyone else who has tried these fuses?
Any comments from anyone else who has tried these fuses?
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Dear @oregonpapa : """
In other words, the best we can ever hope to hear is what entered the microphone? """ not really because no one of us or high end audio item manufacturers has total control of what happens trhough the whole recording sessions till the LP is in our hands. So, the best we can acomplish ( some day. ) is to listen what is in the recorded LP grooves. As a fact my traget is to mantain at minimum all kind of distortions at each single link in the whole audio system/room/ears chain. Regards and enjoy the MUSIC NOT DISTORTIONS, R. |
^^^ Same here raul ... Its amazing how many gremlins lurk in our listening rooms, electronics and equipment racks. Their goal is to smear the sound. Over the past two years I’ve made a concentrated effort to kill as many of the gremlins as possible. The SR fuses have been a big help. So have the Herbie’s tube dampeners and the SR room treatments. The new BLUE fuses have brought everything up to a new, and unexpected level. I was just listening to Charlie Mingus’ "Tijuana Moods." I don’t care what others are saying ... they were in the room. *lol* http://www.ebay.com/itm/LSPCD-2533-CHARLIE-MINGUS-TIJUANA-MOODS-CLASSIC-RECORD-GOLD-CD-FACTORY-SEALE... Wow ... look at the prices for some of these out of print CD's. Are they really selling for these prices or do the "sellers" suffer from delusions of grandeur? Frank PS ... Has anyone else posting here ordered any BLUE fuses? It would be nice to compare notes. |
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