Synergistic Red Fuse ...


I installed a SR RED Quantum fuse in my ARC REF-3 preamp a few days ago, replacing an older high end fuse. Uhh ... for a hundred bucks, this little baby is well worth the cost. There was an immediate improvement upon installation, but now that its broken in (yes, no kidding), its quite remarkable. A tightening of the focus, a more solid image, and most important of all for my tastes, a deeper appreciation for the organic sound of the instruments. Damn! ... cellos sound great! Much improved attack on pianos. More humanistic on vocals. Bowed bass goes down forever. Next move? .... I'm doing the entire system with these fuses. One at a time though just to gauge the improvement in each piece of equipment. The REF-75se comes next. I'll report the results as the progression takes place. Stay tuned ...

Any comments from anyone else who has tried these fuses?
128x128oregonpapa
Jay23 ...

With respect, I'm not trying to lump you into any group. Here in my place, the performers sound like they are in the room ... at least to my ears. I've used the phraseology "in the room" for many years to describe what I hear. Are they actually in the room? No. Have I actually been transported into the recording venue? No. But then there are the times when I kick back and close my eyes ... :-)

It behooves us all to remember that this hobby is supposed to be about fun.

As far as my writing being "transparent," what exactly does it "indicate" to you?

When you get the new BLUE fuse, please post your results here. Thanks ...

Frank

I did not say your writing is transparent. What you've written indicates to me that the Blue fuse is less transparent than the Black, while reducing more distortion. It appears that the low level highs have been removed along with the noise. The loss of low level ambient cues will create more of an "in the room" sound.

There's nothing wrong with this. Many prefer it. It's just like how when highs are cut in level, psychoacoustics deems that objects will sound further from you. This may be preferred by a group of people, but it is a coloration. This doesn't make the audio products that do this lesser, just less accurate. For those that love it, those products could be their holy grail.

To put it another way, sugar can be put on a piece of fruit. Some will say it's more delicious and sweeter. This doesn't make it more natural. Better or worse? That's up to the individual.

Hopefully the Blues end up being more transparent. I will see... 😎

georgehifi
And despite being a "waste of time," you are still in this thread. 🙄

To which georgehifi replied,

"He’s for the same reason as Al and others are, to give honest technical views to the gullible who may be sucked into this snake oil/voodoo."

Gosh, you mean like Catcher in the Rye? That’s no <sniff> touching. 😩 Let’s drink to the hard working gatekeepers. 🍻 Sniff sniff
I will compare stock fuse with Blue fuse in coming days and give my full feedback . Normally when i change any component in my system i can at least hear  change in sound color. But that was not the case with the fuse. 
Jay23 ....

Thank you for clarifying ... much appreciated. :=)

Actually, there seems to be more transparency and the highs are extended further than with the BLACK fuses. Not as much as with the bass though. I think I’ve gained an octave or so in the bass.

I’ve had two audiophile friends over on separate occasions to hear the difference the BLUE fuses have made in the system and both had the same comment ... "your system has become seamless."

On rolling off the highs ... I know recording engineers roll off highs while transferring analog tapes to digital CD’s to get rid of the tape hiss. I don’t like recordings like that. I’ll take the hiss and keep the highs.

verapsaneni ....

If it were me and I didn’t hear any difference, I’d return the fuse for a replacement and try again. You may have gotten a dud if such a thing exists. These are just too good for you to not hear the improvement.

Frank