Vibration Issues / Turntable Decisions


Currently have a Thorens TB-150 which is upgraded to about the fullest extent (Cardas Wiring, New Walnut Plinth, MusicHall Cruise Control 2.0, Rega RB220 Arm, Ortofon 2M Bronze). With that being said, my table is plagued with skips if you all but tip-toe in the room. One of those things that just gets on my nerves. So I have been looking around for a mass-loaded TT.

Is changing to a ClearAudio Performance or MusicHall 9.3 really going to make a different in the skipping?
Any feedback on the Goldring Eroica LX Cart?
Are there any tables to be looking at?

Thanks!

-Ron
hifiron
hifiron,

Trying the inexpensive options I laid out would let you experience how this option can work within the system you now have. This sort of end user experience is invaluable. Changing to a completely different TT/suspension does not give you any real answers going forward within your current framework.

If you bring home a different TT, not only do you have a totally new/unfamiliar design to try and interpret but you lose whatever synergy you had to start with. How does this help?

Good luck.

Geoff,

That is completely opposite to my experience, and if it wasn't different from the experience of many others, there would be many rack manufacturers out of business.

I use an isolation platform I made from a maple butcher block and 4 springs. I don’t have footfall issues, but it improved my sound.. however: I don’t recommend a spring isolated platform, whether it’s air or coil springs, as your turntable already has springs. Doubling springs are not a good idea, as it has been reported that it messes with the sound in a bad way. I think affixing the back of your rack to the wall and going into the crawlspace and reinforcing under your rack are your best first bets.
Wall rack all the way. I built a custom one that extends farther out into room, cut the back of my stereo cabinet out and the turntable looks like it is on a cabinet shelf but it is actually just above it. See my system page for a picture.Â