Tekton Double Impacts


Anybody out there heard these??

I have dedicated audio room 14.5x20.5x9 ft.  Currently have Marantz Reference CD/Intergrated paired to Magnepan 1.7's with REL T-7 subs.  For the vast majority of music I love this system.  The only nit pick is that it is lacking/limited in covering say below 35 hz or so.  For the first time actually buzzed the panel with an organ sacd. Bummer.  Thought of upgrading subs to rythmicks but then I will need to high pass the 1.7's.  Really don't want to deal with that approach.

Enter the Double Impacts.  Many interesting things here.  Would certainly have a different set of strengths here.  Dynamics, claimed bottom octave coverage in one package, suspect a good match to current electronics.

I've read all the threads here so we do not need to rehash that.  Just wondering if others out there have FIRST HAND experience with these or other Tekton speakers

Thanks.
corelli
Great, now I'll just have to live my "edgy" DIs. Damn that mad scientist, Eric. :o) Kidding of course. I do love my DIs!
Teajay,
Thanks for your affirmative comments as they’re illuminating. This is what I was getting at in an earlier discussion today regarding the Linn and Lyngdorf cost ratio and performance. The High End market can "sometimes" be deceptive and contrarian with regard to cost,  prestige and pecking orders. Very tricky at times.
Charles
This is what I was getting at in an earlier discussion today regarding the Linn and Lyngdorf cost ratio and performance. The High End market can "sometimes" be deceptive and contrarian with regard to cost, prestige and pecking orders. Very tricky at times.

See, you were probably trying to get at this, by being polite, but you really didn't get to the you're-so-full-of-crap part. That's very tricky at time.

Here's the deal though, perhaps I'm thinking on a quantum level. We all pay a certain price of admission, whether we buy some junk DAC for $50 bucks, and call it the best, of a $50k DAC and call it a turd. One might get you a seat to watch the game, while the other probably puts you in a skyebox, meeting the cheerleaders, getting player autographs, and sipping something a bit better rated than Ripple.

I mean, you can drive a Pinto and call it a Cadillac, but you'd be wrong, even though in your mind you can imagine the Cadillac chassis around that Pinto engine. There are DACS like that, too.

The point is, again, that last 3%-1% is a real mother. That's where most of the bread is spent, or most of the fretting lives, over that list small bit of SQ. That was what I was getting at, and I'm saying it. Like the once you get down to a micro-cellular level, the distance between two subatomic particles might as well be relative to the distance between the earth and the moon.

That's it. I chose to buy my 2%-1% in one chunk, instead of spreading it out over various devices and such. That leaves 1% more for other junk like speaker stands, some snake oil, and the various audio tweaks I can't wait to not spend much more money on, lest I find the cost-to-performance ration too much to bear.

I
n the case of the units you mentioned which provide DSP-based corrections (Linn, Lyngdorf, DEQX), that you found superior to much higher priced DACs, was that superiority contributed to by the corrections, or was it true even with the corrections disabled?

Also, which DEQX model were you using?

The HDP-5. It belongs to a guy here in town, and he left me use it for a few weeks in exchange for the DAVE. I thought the DEQX was great, but was probably more reliant on correction over the other two. That doesn't mean "bad." The guy who owns the DEQX has that thing dialed in to perfection, in the smallest dedicated room I've ever been in with full sized speakers (Revel Salon IIs). It sounds like a recording studio in there. As you know, the DEQX has a learning curve and so much you can do with it. It's astounding. Plus, it was the first DAC I tinkered with that had an Ethernet input. When I heard the difference I knew I wanted one, or one like it. When I learned the science of going RJ45, then I knew that I could never go back to USB.

Back to the DIs, though: my pair has 123 hours on them now, and they are sitting on bare stone floors, still without spikes, and these already sound better in my room than any speakers I've had here.
No body pointed out, gracefully, that I kept referring to the DI SE's as the "SI's".  Well, of course I did not rename the speaker, but mistakenly got into the groove of using the wrong wording in the post regarding the field report on the SE's performance.  Sorry about that!

Ezra, the owner of the SE's called me twice since I left his house because he could not stop listening to his system because of his pleasure/amazement of what the music sounds like now through his new SE's!  It's pretty late here in the Chicago land area, but I would not be surprised if he's still listening with glee!