A brutal review of the Wilson Maxx


I enjoy reading this fellow (Richard Hardesty)

http://www.audioperfectionist.com/PDF%20files/APJ_WD_21.pdf

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g_m_c
I'm gussing that Wilson didn't send him any speakers for him to set up in his studio, therefore he had to listen to them somewhere else. It is unlikely he will be offered an audition from WIlson in the future! It is vitriolic, to be sure, however, no intelligent person will deny that advertising sells products to the public, and advertisers are pandered to by magazines. It is comical to me to see this played out since the price of Wilsons is beyond me, and I really could not care less. There are wonderful speakers out there in the $2000-$4000 range that will satisfy almost everyone. They are too numerous to mention and I will wager that in a blinded test, few of us would choose the most expensive speaker as our preference. But, to each his own! It can be entertaining!
The best thing to do on any review is trust your ears. Never buy a product without listening to it. Now I know everyone can't or won't do this. But everyone should. Remember there is no product made that everyone likes. If you like Wilson speakers and they are in your price range buy them. If you don't like Wilson speakers don't buy them. Remember the goal is to enjoy the music. Who cares what someone else thinks of your system. If you like it you will listen to it. If you don't you won't so buy what you like and forget about what everyone else thinks.

Just my 0.02 before taxes....
I agree with Honest1. Did he even listen? Doesn't seem so. But after reading the whole diatribe I can't help but wonder just what kind of speaker he would deem acceptable. He rags on ported enclosures, d'appolito designs, Focal drivers, dual 8" passive drivers.....he doesn't seem to like much. What the hell does he listen to music with?

Oz
I am willing to bet that Audioperfectionist is a fan of time/phase correct designs (drivers aligned spatially to have an identical pathlength to a single point in space and utilizing 6 db/octave crossover slope). He also seems to require a small midrange and/or mid/bass driver (low mass/inertia and better dispersion). In other words, probably a fan of Vandersteens, Green Mountain, and maybe, Thiel.

Just a guess.
He has a "measuring stick" that obsesses about 6db octave crossovers. No speaker manufacturer need apply without 1st order crossovers & good step response. "Set in stone" beliefs will always color perception. Like in the stereophile review, little of the text describes the sound. This a very large speaker & most set-ups & reviews I've seen (soundstage/stereophile)have the speaker in very normal sized rooms that I would think were much too small for the speaker...