Best analytical loudspeakers for strings (midrange)?


Folks-

I am interested in comparing Wilson Yvettes (can obtain a discounted price, and which I have used in my house) versus Paradigm Persona 3F or 5F passive loudspeakers.

My system now combines McIntosh preamplifier, hybrid amplifier, PS Audio DirectStrem DAC, and transport, TIDAL server. My listening room is 300 square ft and has been optimized sound insulation (absorption and reflection tested using an audio engineer).

Although I love rock, electronica, jazz, and classical music, I want to be able to have high-resolution separation of different strings (violin, viola, cello, bass) in orchestral music, or even as solo instruments. I am a scientist, and I want to listen to high resolution ("clinical") sound.

Any advice? I have Wilson WattPuppy 7's and love the resolution, but I want to upgrade these speakers. I know that Vandersteen, Magico, etcetera are all great speakers as are many other brands, but I have limited my options at this point in time. 

Are the Paradigm Persona loudspeakers a better alternative to the Wilson Yvettes for string resolution?

Thanks in advance for any advice. - Gerry


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No offense but analytical is not an attribute I like in any component.   To me music sounds better when you don't have to analyze the components.... 

I've had speakers that were described "accurate " "precise"  and on and on but not very musically rewarding.   I'd much prefer a modest system where the sum of it's parts are engaging, musical , and make you NOT scrutinize any one component, especially the speakers.  
Different strokes for different folks .
+1 for elizabeth ,  good headphones are right for what OP wants .
-1 Elizabeth - you just haven’t heard really good speakers if you think headphones are better for hearing detail.
This is the OP, and I tend to swap out system components. Currently, I have Wilson WattPuppy 7 speakers (thinking of moving either to Harbeth 40.2 or Wilson Yvettes).

I now have an Audio Research GS150 tube amplifier, Audio Research LS preamplifier driven by a DCS SACD/CD player stack with a bridge for streaming.  

I have 6 pairs of headphones, and my favorite ones are not the most expensive ones I own by any means. My favorites are the Focal Elear (somewhat too "bright" for some people). I had to find a Grado 6" 1/4 inch to 3.5 mm adaptor for my Mac Retina notebook - I could not find any other adapters that were stable.

I agree with the last comment in this thread - great loudspeakers provide greater clarity and resolution than any headphones that I have ever used - live performance with the right seating and good hall acoustics are the best. 
Just heard the Persona 5Fs yesterday (powered by Meridian DAC/Pre/Amp with Transparent cable) and the sound was perhaps the most detailed I’ve ever heard, yet still "musical". I think this presentation may be the sort of sound you’re after (the original poster)... if you want to "see all of the musical information" I was constantly stunned by the additional layers of micro-detail in familiar recordings I never knew existed. And this was red-book 16 bit 44.1 kHz resoution audio... not LP or SACD. And yet it was like I was being immersed in high-resolution sound with infinite detail and decay... that sense that the music was fully visible with nothing hidden or veiled.

The mental image that kept coming to mind was as if I was seeing 3D 4K-IMAX versions of recordings that here-to-fore I had only seen on standard prints. The IMAX analogy was applicable in many ways... imaging was not just left-right, and not just front-back 3D, but also up *and* down. It was like sitting in a stadium chair floating in space with an unbounded sonic image in front of me that extended in all directions... up/down/left/right/front/back (recording dependent, of course). Uncanny. And one other interesting characteristic of the soundscape... as the music was turned louder, the soundstage images became larger... again like watching 3D IMAX. very interesting. The speakers were set very far apart so I suspect this may have played a part similarly to how paralax visual 3D images can affect how one perceives size. but in any case, regardless of volume, I was awash in micro-sonic-detail that seemed to have no limit. Very satisfying for the listener who loves to "stare" into their music soundscape and discover those hidden details like musical-treasure-hunting.

We also played many different types of music... from Joni Mitchel to Holy Cole to 80s pop to electronic synth recordings... and everything sounded seductive and sublime... but all very *different*. You could hear how each recording was mastered with pin-point vividness... what each audio engineer was doing differently with each recording. One recording would sound warm. Then the next cool with jet-black backgrounds and crystal-clear high. Every mastering/recording-chain difference track-to-track and album-to-album was perfectly plain. And yet with this ability to reveal recording differences with striking clarity, all recordings we played were listenable and enjoyable. Next time I go I plan to take my own gear, including my Aurender music server so I can hear what I know to be "bad recordings" I own to hear how they convey on the Personas.

I was often surprised by what I "discovered" with familiar recordings... Recordings I had always thought were "flat" suddenly had front/back soundstaging. Recordings I always felt were dry and edgy suddenly sounded sweet on the top end yet with more detail than I have heard previously. It was as if micro-detail that perhaps has obscured imaging on lesser-systems was now being rendered authentically which caused my brain to perceive the presentation very differently.  

At least audition these speakers if you can to see if that sonic character matches what you’re after (and works in your system with your gear).