I wonder if the new tweeter has made a difference in how they sound at lower volumes. I also wonder if they are voicing their home models more for moderate/low volume listening. I've got a pair of active 110s that are definitely at their best when played fairly loudly. It makes sense for speakers that are flat to sound the most realistic when they are played at a volume that is close to that of live music. Since most people listen at lower than live volumes I think speakers that tip the bass and treble up a little bit sound better.
Your thoughts about ATC loudspeakers
I’m interested in the ATC SCM-40 from their HiFi series and would like to hear from people who have owned or spent a lot of time with ATC speakers. This is a fairly new model and may be a bit of a departure from their classic sound.
At the show in Newport last weekend, I was quite taken by these speakers. I went back the next day and heard the same things that I liked about them, but a couple of red flags also went up:
Microdynamics – not sure these speakers do them well and microdynamics are critical to communicating inflection and nuance and to making music sound alive
Imaging, specifically wrt depth. Nothing much outside of the plane of the speakers, so recording venue info is not there and even instrument and vocal body may suffer a bit.
Were these shortcomings of setup or associated gear, or is this what ATC does?
At the show in Newport last weekend, I was quite taken by these speakers. I went back the next day and heard the same things that I liked about them, but a couple of red flags also went up:
Microdynamics – not sure these speakers do them well and microdynamics are critical to communicating inflection and nuance and to making music sound alive
Imaging, specifically wrt depth. Nothing much outside of the plane of the speakers, so recording venue info is not there and even instrument and vocal body may suffer a bit.
Were these shortcomings of setup or associated gear, or is this what ATC does?
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- 83 posts total
- 83 posts total