You should go check out what cabling is used in multi million dollar recording studios by master mixing engineers. The market is more or less owned by canare at a dollar a foot carrying weak microphone signals over hundreds of feet of wire. If it's good enough for them, it's good enough for me. I have a hundred bucks of cable in a $25K office setup. For all intents and purposes, audible audio signal might as well be DC as far as physics is concerned.
Interconnects and non-believers
For anyone who denies there are differences in cables, I have news for you.
There are vast differences. I just switched interconnects between my CD transport (Cyrus) and DAC (Schiit Gumby), and the result was transformational. Every possible parameter was improved: better definition, better soundstaging, better bass, better depth etc.
I can’t understand how any audiophile with ears can deny the differences. Is it delusion or dogma?
There are vast differences. I just switched interconnects between my CD transport (Cyrus) and DAC (Schiit Gumby), and the result was transformational. Every possible parameter was improved: better definition, better soundstaging, better bass, better depth etc.
I can’t understand how any audiophile with ears can deny the differences. Is it delusion or dogma?
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- 400 posts total
astelmaszek You should go check out what cabling is used in multi million dollar recording studios by master mixing engineers. The market is more or less owned by canare at a dollar a foot carrying weak microphone signals over hundreds of feet of wire.That's not true. Many recording studios have chosen cables with great care, and examples of that have been posted here previously. For all intents and purposes, audible audio signal might as well be DC as far as physics is concerned.Huh? That doesn't make sense - audio signals are very much AC. If you have DC in your audio cables, you have a major problem on your hands. |
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- 400 posts total