Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

"As you define "real", meaning emotionally from the heart, West Coast is less real, but that doesn't mean it's less jazzy."

You read too fast Frogman; the "you" in that sentence was referring to Rok, not me; he identifies some things different from me; I did not make that distinction.


Frogman, because you're a professional musician, you sometime don't see the forest for the trees; you get too hung up in the "nuts and bolts".

The "feel" of those two versions of "Nica's Dream" was different; one "felt" West Coast, and the other "felt" East Coast.

Frogman, I go by what I hear, not what musicians say; Bill Evans played a lot with Miles, I can't hear where Bill Evans began to sound like Miles.

mary_jo, I sincerely adored everything about your post, except; that scratchy recording of Dark Eyes by Yoska Gabor and his Gypsy Orchestra.

While I liked the music, the audiophile in me detests scratchy records.




This was recorded at the Montreaux Jazz Festival in Switzerland in June 1969. Both the Eddie Harris Quartet, and the Les McCann Trio performed with great success at the Festival. Later in the week, Eddie and Les felt like playing together. Benny Bailey, the great American trumpet player, who was living in Europe, was also there; he was asked by Eddie and Les to join them; the rest is history.


https://www.youtube.com/watch?v=kCDMQqDUtv4


https://www.youtube.com/watch?v=y8YOLY4Tats


Les McCann and Eddie Harris spoke the same language; both those tunes were hits on the jukeboxes and the radio, something rare for jazz tunes.


1969 was also the most fantastic Summer of my life; when I went to lawn parties, I always brought plenty of Cold Duck Wine, and I inquired when I arrived, "What time is it?" always, the hearty response was "Its Cold Duck Time!".

Those were the days my friend, why did they have to end?