Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
Orpheus10, you might indeed have American Indians' blood in you, or your predecessors had a lot of more than superficial contact with them. Memory is a very complex and in many ways unknown thing. There is a kind of memory called memories-in-feelings. This may be what you are experiencing when listening to them. In this case, you resonate because you remember, their music activates your emotional memories which might be hidden deeper in your mind. But not too deep to be totally inaccessible.
Frogman, I never thought of it in the words that you used, but I think you are right - no tension/release in Armenian music. Different state, 'position'. And constant tension/sorrow/longing, I would say.
I intentionally don't post purely ethnic music here, this would take us too far from the thread. I don't even post traditional flamenco, which I am fond of.
Mongolian throat singing, anyone ? No thank you, not for me, but it is interesting.
But I will make one exception. He is very famous, plays a few instruments, leads a group, plays with different musicians from various musical traditions, tours the world, teaches theory. He is very traditional but he sometimes takes the tradition further. Not of course exactly, but in some way he is kind of Iranian McLaughlin.
https://www.youtube.com/watch?v=y034jkNTYgo
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Inna, I have had that same theory for a very long time. I have memories of places that I've never been, and I recognize those memories in paintings, and to make things really weird, one of those places isn't even in this country, yet I have a memory of being there. I must admit, this memory was strongest when I was a child.

We inherit much more than we realize; I have pictures of my fathers mother, my grandmother that I can barely remember, who has Native American blood, according to her features. Since everyone is dead, I can't trace ancestry.

Who we are, goes back to long before we were born; I think it explains what can be a strong attraction to music from foreign countries.