Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

*****Do you have a factual source to backup that claim?*****

Not a claim, it's a fact.    Google, "Lt. Jimmy Reese Europe".   Surprised a Jazz lover has not heard of him.


*****Even if true when Django arrived here and started playing, his fellow jazz musicians including Satchmo and the Duke were in awe!*****

Do you seriously think Pops and  The Duke were "in awe" of this guy?

They were just being nice and charitable, as they always were in public.

Cheers




Interesting how there can be disagreement about something when there is truth to both sides of the argument.  What is being missed is the connection to the earlier (barely) discussion about the mystery of the influence that genetics may play on what type of music resonates with each of us.

One of the first and recurring debates here concerns the origins of jazz. One camp claims that, contrary to just about every scholarly and pacticing musician’s opinion on the subject, jazz sprang up in America independent of and immune to any possible influence by the ethnicity (genetics) of its “creators”, or influence by the societal circumstances around them. The other camp believes that jazz is an art form that is a big melting pot of influences; African, European and Middle Eastern. A closer, and less emotional, look at what defines jazz gives credence to the second viewpoint, imo.

Django Reindhart famously said, upon hearing Louis Armstrong play for the first time (as acman3 points out) “My brother!”. To my way of thinking that comment says it all. If one looks at the makeup of Jazz and the many influences that came to bear in its creation, it is no mystery to me why jazz would resonate with a Gypsy guitarist who had never heard “it” before, but whose more familiar music was in some ways, however removed, one of the ingredients in the pot.

https://m.youtube.com/watch?v=IW0nOgrwwy4

And, of course Armstrong would have been impressed upon hearing Django for the first time. For starters, no one had played guitar like that before.