Pieces of music that digital can't get right


Ok I have a litmus test for digital when ever I have the rare option of upgrading my digital front end. Its tough on digital. Brutally tortuous and unforgiving. Digital proponents have a difficult time accepting these sonic tests. 
1. Ok here is the first one. On the opening of America's "Ventura Highway" the opening dueling guitars are ambient and bounce off each channel very pleasantly in the analog domain. In the digital domain the channels are totally separate and too clean and sterile lifeless sounding. They are  not talking to each other It was like this with ny Marantz 8005 but the SA-10 gets halfway there.
2. In the opening of "I Feel Fine" by the Beatles the electric guitar sounds alive with ambiance and decay. The Digital is clean and lifeless.
 Ok am I right with these observation?. I have a pretty good SACD player in SA-10. Its no slouch. Do the mega expensive super smart and accurate DACs get my two above mentioned  passages right? Or are we hearing colored vinyl artifacts. Well if we are I like the record better!
128x128blueranger

"Ok am I right with these observation?."

Blueranger, your using the same components for both sources. One input is "tuned" to your Table. Your CDP needs it's own system so you can tune it in to your digital source.

Systems using CD's require completely different sonic settings vs systems tuned to vinyl.

Michael Green

http://www.michaelgreenaudio.net/

John Cage 4’33.
The Black silences in Digital are so unrealistic.  In a real concert performance, audience members will be shifting in their seats, whispering to their neighbors, blowing their noses, passing gas, whatever...Vinyl, with it’s pops, clicks, wow, flutter, cartridge hum, and other assorted sonic detritus would be so much closer to the real thing

Actually 4'33" is a good example. If someone is experiencing black silences with digital that's a sign that the system is out of tune.


mg

4’33’’ is the most stupid thing imaginable, I feel genuinely worried for the sanity of anyone who goes to concerts or puts on vinyl or a CD to ’’listen’’to it. I once walked out of a concert because the Quartet announced they were going to play it as an encore. It is an assault on our intelligence.
It looks like you’re comparing two completely different pressings. That introduces a variable that makes drawing any conclusion about the differences between analog and digital invalid.

One way to conduct a meaningful comparison is to digitize a good LP. If the digital copy can reproduce all of the LP’s nuances - or not - then you can draw a meaningful conclusion from that.