... thoughts on Taylor Swift's REPUTATION CD...


Hello to all... Am wondering how other audiophile folks who critically listen to music as coordinated recorded sounds access the newest offering from Taylor Swift.

PLEASE DO NOT COMMENT IF YOU HAVE NOT YET HEARD THE CD IN ITS ENTIRETY.
AND PLEASE LIMIT COMMENTS WITH REGARDS TO SOUND - NOT ALL THE OTHER STUFF (looks, dating, etc) 

I find the recording fairly well done: abit thumpy throughout (which seems to be the trend in pop/indie music for the masses), but highly divergent in tones, dynamics, and harmonies. Deep and wide soundstage... Most vocals (within my system) are believeable (for the most part) but sometimes muddy up at the complicated refrains with several overdubs of her voice...

I think this is a good stereo test recording. YOUR THOUGHTS APPRECIATED...
justvintagestuff
@justvintagestuff   
Thanks, Eagles - The Long run is a super album for listening and also testing e.g heavy drums and bass. They really made a SQ jump there. "I can't tell you why" is a personal test favourite for hearing the bass-line separated from the kick-drum and the other instruments.

John Campbells two albums are very raw with a natural voice.

The first song on Merritt Gibsons (@dbwalek) cd begins very natural (probably heavy processed :-) and the song "Area Code" has great voice and piano. Other songs too.

Just a few tips for natural voices Cassandra Wilson, Jill Scott, Cécile Vemy Quartet (with large scale acoutic bass), Nina Simone, Sophie Zelmani, Rebecka Tornqvist, Bo Kaspers Orkester, Angaleena Presley, Nikki Lane. The phenomenal Brandi Carlile ("The Joke"). Aaron Neville - Warm your heart - a must - audiophile recording. Terry Evans - audiophile recordings. Neko Case mentioned. Bonnie Raitts first not to forget. Most artists have some recordings that are very natural.

To really experience natural voices my advice is to get yourself a pair of very neutral pro monitors and to listen to them near-field. Like from 1 meter. The PCM Result 6 mentioned above I'm sure is a good start. Older PCM models could be bought for half the price used. For some change however, I've just gone back to passive monitors Westlake BBSM-4 and Audiopason Karis. Completed with subs. It's very entertaining to "see" into the recording. Be aware though that most pro monitors gives you warts and all...it's their job. But when it's good you hear the difference.
...I am wondering: do they (engineers, etc) do all this stuff to the music on SUPPOSEDLY LIVE TV SHOWS LIKE BRITTAN'S GOT TALENT, THE VOICE, SATURDAY NIGHT LIVE AND SO MANY MORE...
Not sure but on America's Got Talent the sound quality of the music is incredibly bad.

I have found that music with compressed DR sounds okay, or at least tolerable,  in the car. I'm assuming road noise etc pretty much masks any lower volumes anyway.
Tip for a natural recorded live album with very good DR. Mostly acoustic small big band:

Bo Kaspers Orkester - 10 låtar live (ten songs live).
You might not get the texts but fine and hard to describe music. Is it jazz, is it pop, is it blues, is it rock?...doesn’t matter much, just great :-)