Does anyone care to ask an amplifier designer a technical question? My door is open.


I closed the cable and fuse thread because the trolls were making a mess of things. I hope they dont find me here.

I design Tube and Solid State power amps and preamps for Music Reference. I have a degree in Electrical Engineering, have trained my ears keenly to hear frequency response differences, distortion and pretty good at guessing SPL. Ive spent 40 years doing that as a tech, store owner, and designer.
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Perhaps someone would like to ask a question about how one designs a successfull amplifier? What determines damping factor and what damping factor does besides damping the woofer. There is an entirely different, I feel better way to look at damping and call it Regulation , which is 1/damping.

I like to tell true stories of my experience with others in this industry.

I have started a school which you can visit at http://berkeleyhifischool.com/ There you can see some of my presentations.

On YouTube go to the Music Reference channel to see how to design and build your own tube linestage. The series has over 200,000 views. You have to hit the video tab to see all.

I am not here to advertise for MR. Soon I will be making and posting more videos on YouTube. I don’t make any money off the videos, I just want to share knowledge and I hope others will share knowledge. Asking a good question is actually a display of your knowledge because you know enough to formulate a decent question.

Starting in January I plan to make these videos and post them on the HiFi school site and hosted on a new YouTube channel belonging to the school.


128x128ramtubes
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Hello @ramtubes,

I have a DIY 300B SET.
Input tubes are 6sn7, driver are 6f6 in triod mode.
I use coupling capacitors (Duelund Custom Cu) between input, driver and output tubes.
I use 5K output transformer James Audio.
My speakers Altec 604E ~100dB sensitivity.

I have a number of questions:
1. What is optimal transformer load for 300B? When I don't need extra power with my very sensitive speakers.
2. What do you prefer for inter-stage coupling, transformers or capacitors?
3. I'm thinking to upgrade to Hashimoto output transformers? Do you have experience with Hashimoto?
4. When you design your amplifiers, how do you calculate optimal idle current for input and driver tube stage?
In the past, I increased idle current in both, input and driver tube. And in both cases it gave me a significant improvement in sound.
For example, I increased current in 6sn7 from 4.2mA to 5mA. And I can to increase it let say to 5.5mA. How do I know what is optimal or good enough?
5. What is the best and cost effective way to separate power supply between output tube B+ and driver tube B+?

Regards,
Alex.
Hi Ralph. Im curious if you use an inverse RIAA network to check your EQ. If so where did you get the values? I built mine from the advice of Peter Moncrieff, Mitch Cotter and Dick Sequerra who were the first to discover that many RIAA EQ curves were off. Of course I used precision parts.
Of course! Its been a really long time and I do not remember where I got the values, but when used I got flat response. FWIW it also plays flat when I cut a lacquer on my lathe and play it back on the preamp. The Westerex has pretty tight curves in this regard; the electronics are matched to the cutter head.
5. What is the best and cost effective way to separate power supply between output tube B+ and driver tube B+?
@alexberger

You can of course make sure that the timing constants in the power supply are low enough that the driver and output section can’t talk to each other. Here’s the math:

F = 1/RC times Pi squared.

That formula results in some hard to work with numbers, since F is frequency, R is resistance and C is capacitance in Farads, which is really inconvenient. So I usually useF=1,000,000/RC * 6.28
(6.28 being Pi squared).  This formula results in F in cycles per second (Hertz), R in ohms and C in uf (microfarads), which is more real-world.


In your power supply, C is the power supply bypass capacitor, which is probably an electrolytic device. R is the resistor between the power tube B+ power supply filter cap and the filter cap for the driver. The thing is, there will be a certain amount of current that the 6SN7 needs, so you have to make sure the resistor is large enough wattage to survive that.

For that you need Ohm’s Law which is R=V/I


R is resistance in ohms, V is volts, I is current (C was taken already so I is the convention for current).


To calculate wattage (of the resistor) W=V x I


So for example, if you use a 40uf filter cap, and the driver tube is drawing 9mA (0.009amps) between the two sections, then for the power supply to have a cutoff at 0.5Hz the resistor value will be 8,000 ohms. There will be a 72 volt drop across the resistor and it should be a 2 watt device.


Now the trick here is to make sure that the coupling capacitor has a cutoff frequency higher than the power supply cutoff! Otherwise, the circuit can become unstable, prone to ’motorboating’ (a low frequency oscillation) and IMD will be higher. Use the same formula to calculate the value of the coupling capacitor; R will the resistor in the grid circuit of the power tube that the capacitor is driving. To get 0 phase shift at 20Hz, the coupling cap should go 10 octaves lower, or to 2 Hz; our power supply cutoff is safely below that (although it would not hurt to go an octave lower by doubling the value of the filter capacitance). The problem here is that SET output transformers often don’t have good low frequency bandwidth, and the 300b is right on the cusp of where 20-20Hz is actually sort of possible with a good output transformer. Even though your speaker may not go that low, its a good idea to get as much bandwidth as you can to preserve phase relationships that the ear uses to detect soundstage width and depth. So get a good output transformer.


If the manufacturer has issues with low frequencies saturating the transformer, you can reduce the value of the coupling capacitor, but I would be hesitant to do much of that as phase shift in the bass robs the amp of perceived bass impact, even though its flat on the bench.


A less cost effective way to do the power supply for the driver is to use a separate power transformer and power supply for it. In this way no matter what signal condition exists in the output section, no amount of noise in the power supply of the output tube (such as a general voltage sag) can talk to the driver section. However in SETs, this usually isn’t a problem unless you run the power tube in class A2 or class A3. The latter classes of operation can draw more power from the power supply as output power is increased; class A1 does not do that.

Roger nice job handling Teo. IMO he embodies everything that is wrong in high end audio these days.


Some Ignorance is so manifold that it is used to commit to attacks so libelous and underhanded... that the person initiating is practically kicked off a given forum. So obvious to all, that there aren’t even words for it.

And then that illiteracy and ignorance is paraded about as somehow being informed. That we can all be that dense. Jebus. What a horrific world that would be.

So far gone that it can’t even be explained to a given person how far off base and wrongheaded a given comment might be.
Ralph (Atmasphere), thanks for your characteristically very constructive and informative post above. A very minor correction, though, for the record. I’m sure you misspoke when you referred to pi-squared. The 6.28 factor you referred to is of course correct, but that is 2 x pi, not pi-squared.

Thanks again. Best regards,
-- Al