Thanks for all the feedback everyone. I have heard enough about the overall tilted up balance on the Personas to discern that particular problem might be something that has to be dealt with by Paradigm. Those references are literally everywhere. I think I’ve now removed them from consideration for various reasons...that might change if I get an opportunity to hear them but I’m not going to seek out that opportunity. Rockports are particularly interesting to me, as are the Revel Salon 2 and Studio 2, the revels as possibly a good shot at the best compromises made with regard to design and technology. I love the technology and care that goes into the manufacturing of the Rockports. Again, I’m pretty early in this game ... just trying to zero in on speakers I want to seek out for opportunities to audition. One thing that appeals to me about the Revels is that they are everywhere used at reasonable prices...I don’t think that necessarily means people trade out of Revels but rather that they are simply made and purchased in greater volumes than many others. Open to other comments re Rockport and Revels (and anything else you might want to add). The one thing I perhaps didn't make clear is that I still LOVE the micro (and macro) detail the Thiels provide but I moved into a larger house and a larger listening room 2 years ago and I'd like something that can be driven a bit louder than the Thiel 2.4s. Pass on the power amp side and an Aesthetix Janus for the preamp. Thanks to all.
Paradigm Persona series
I'm beginning to poke around and gather opinions and information about a "super speaker" to replace my aging Thiel 2.4s. I like the idea of bass dsp room correction and I am a bit of a point source type imaging nut (thus the Thiels). So among other choices I've been looking at the Paradigm Persona series specifically the powered 9H with room correction for the bass. However I'm skeptical of the "lenses" i.e. pierced metal covers on the midrange and tweeter specifically because of Paradigm's claim that such screens "screen out" "out of phase" musical information. The technology in the design seems superlative but I just can't get past the claim re out of phase information and the midrange and tweeter covers. What could possibly be the science behind this claim? It just seems like its putting a halloween moustache on the mona lisa given the fact that the company is generally a technology driven company.
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- 312 posts total
- 312 posts total