Thumbs up for ultrasonic record cleaning


My Cleaner Vinyl ultrasonic record cleaner arrived today and it’s impressive.

Everything I’d read indicated that ultrasonic was the way to go, and now I count myself among the believers. Everything is better - records are quieter, less ticks and pops, more detail etc.

All my records had been previously cleaned with a vacuum record cleaner and were well cared for. Nonetheless, the difference is obvious and overwhelmingly positive.

Phil
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Hi Whart,
Thank you for the thoughtful and thorough feedback.

I like your idea of starting of with less fluid, then experimenting from there.

Also, I'll probably keep my Clearaudio Smart Matrix Pro cleaner, to address the tough-to-clean records.
Thanks again,
Labpro
For those following all the different "opinions" on 
what frequency works best etc I came across this site
from another forum.
Which shows in real world usage that
as ultrasonic frequency increases bubble size increases.
And as frequency decreases intensity/force increases.

Higher frequency may in fact not be the best after all.
 
https://techblog.ctgclean.com/2011/12/ultrsonics-number-and-size-of-cavitation-bubbles/
 
@totem395 - Tomtem- i think you misstated the article which (correctly as I understand it) says that higher frequency = smaller bubbles. The theory, so far as record cleaning goes, is those smaller bubbles may do more to get into the grooves. But they are less powerful than the larger bubbles generated by lower frequencies when they implode.
I think the folks on the DIY Audio site have experimented to some degree with cleaning effectiveness of different frequencies. I like the idea of having a machine that provides alternate frequencies. It is a good article in talking about frequency and power. Thanks!

The VERY interesting Degritter brand Ultrasonic cleaner is scheduled to become available in January 2019, at what retail price I don’t know (last I heard, a little over $2,000). It operates at 120kHz, for reasons explained on the company’s website.

Whart is correct; the higher the frequency, the smaller the size of the bubbles, and the less powerful (put another way, the more gentle).

It may be that our understanding of cleaning vinyl via ultrasonics is in its infancy.  That means there is probably a lot of misunderstanding about what combination of variables yield optimal efficiency.  Vinyl "safety", if you will, is part of optimal efficiency.  Over the years of various vinyl cleaning methods there has been some scare factor that is alway in play.  For example we still have remnants of fear that alcohol will cause damage to "my precious." 

What we haven't seen yet are studies of a) particle and groove size relative to frequency, and b) frequency and groove deformation and resilience. Of course there are other variables: time, temperature, chemistry and agitation.  I suspect such studies specific to vinyl records are not going to burst forth given the economics.  (Though you never know - there are enough quirky professors out there that some may be audiophiles and engineers and have grant money to burn.)
So ... in the meantime we need to pool information and experience based on our real world efforts.  That does not exclude USC system manufacturers, but some caution is warranted wrt marketing claims.
In the case of frequency alone, the relation between it and particle size is pretty much common knowledge.  (Fwiw, the chart often cited, and linked above, associates to cleaning perpendicular magnetic tape, not vinyl records, but it still makes the point.)  What is less discussed is the relation between frequency, particle size and time. 

From my experience multiple frequencies applied in sequence are more effective than a single frequency.  (Industrial cleaning often involves up to 7 different cavitation frequencies.)  Consider that dirt (for lack of a better term) can be layered in terms of particle size.

Duration is part of the equation. The longer you beat on something as hard as you can the more likely damage can occur. 

I've been cleaning at 37kHz for 10 minutes then 80kHz for 10 minutes.  I'm now thinking of varying that to something like: low for 5, high for 5, low for 5 and high for 5.  If I had a third higher frequency, I'd put that into the mix as well.  Can this make a difference?  I don't know, but its worth exploring. (FWIW I have zero evidence my current regimen causes any damage or downside - any change to it is out of curiousity, not concern.)   

Experimentation continues.  See more at The Vinyl Press.
If you try something or discover something, document it and speak up.

tima