Magico A3 vs S3 MKI


All

I have been a long time lurker and wanted to get some help with a decision. 

For the past 3 months I have been auditioning speakers in the 10k-15 range (both used and new) and have largely decided upon A3. 

Source gear
1. Hegel H360
2. Music played via Tidal

I had gone into A3 Audition as a skeptic and was expecting it to be clinical/ analytical. However I was surprised
1. It felt music and laid back (in a good way). Kind of speaker that I could listen to for hours and not get fatigued
2. Really liked the texture of the bass
3. Vocals made me feel I was right in the room

While I didn’t like some of the R&B music I played through them (eg Amy Winehouse), overall this met more of my needs than 10+ other speakers I have listened to. 

I wanted to check if anyone has had a chance to compare them to S3 MKI. I am getting a barely used S3 for almost the same price. However it might not be possible to do a fully controlled comparison of the two. So I wanted to get views from those who have listened to both. 

At at this stage not trying to broaden the search and simply trying to pick between these two. 
vinoacoustics
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I should add that with its rose cast color, curved sides and outriggers, I visually prefer S3. So if from a sound quality standpoint they were comparable, I would probably go for s3 
I have never heard either of those two speakers but I would assume they both have the same house sound.  Only you can make that decision.  I do believe the A3 are a lot more money than the S3.  You would have to ask yourself if it is worth the extra money to you.  
@stereo5 you may be mixing A3 with something else. It’s $9800. Original S3 MKI was $22600

Also while Magico sound may have a signature, it has changed over time and become more neutral/ musical. One couldn’t call original Q3s neutral. 
If it doesn’t work with R&B then I would re-examine your choice or determine if it was the listening room or something else.

A good speaker should work equally brilliantly with absolutely anything - absolutely anything. A speaker that works with some kinds of music but not others is obviously coloured and or distorting.

The only thing that should differ between recordings or styles of music is how loud it needs to be played to sound its absolute best. Most recordings have a loudness sweet spot that was determined by the engineer and producer. This sweet spot is the volume level where the recording overall sounds best.