I have had my P8/Apheta2 for two weeks and so far I am impressed. The ergonomics are fantastic. The sound is fresh, detailed and believable. Still early on for sure though. Tracking at 1.77 which I think is a little better than 2.1 (adjusted down once I broke out my digital tracking force gauge - 2.1 was based on arm tracking setting). In function it is dead quiet. No motor noise. There is not a grounding wire and based on my experience thus far is does just fine without one.
I have it on an HRS platform which I think is helpful and running it through Ray Samuel's F117 Nighthawk phonostage which is also new to me and for its diminutive size really has some nice presence (comparison with Music Fidelity X-LP: it smokes the MF on detail, background blackness, and soundstage and is just plain better, which is not at all surprising.) At its price, I think the F117 represent great value.
I love the simplicity of the Rega and the attention to design and manufacturing detail. Even the tonearm holder/retainer has a set halfway preset which allows a quick half flip to secure/unsecure the arm while changing sides. Sounds simple enough but I have not seen that before and think it is fairly brilliant. Other Regas may have the same thing - never checked.
My previous TT was a Michell Gyrodec SE which was awesome in its own right but too busy in setup and use for me compared to the Rega. I think the music is more solid through the Rega (different systems though). For function and appearance I give it to the P8 over the Gyrodec.
I tried an EAT C-sharp for a bit and found it to have some motor and bearing noise that I could not tame (not feedback) and therefore returned it. I also considered CA Ovation, Luxman PD-171A and Technics 1200G. Very happy with my choice. For me the P8 represented a perfect price point to sound quality ratio. My next table will be in a much higher price/performance bracket and for that I will happily wait with my P8.
I'm not sure if the P8 is for you - only you can decide that. But I bet there will be scores of people that land on the P8 and stay for a long while.
I have it on an HRS platform which I think is helpful and running it through Ray Samuel's F117 Nighthawk phonostage which is also new to me and for its diminutive size really has some nice presence (comparison with Music Fidelity X-LP: it smokes the MF on detail, background blackness, and soundstage and is just plain better, which is not at all surprising.) At its price, I think the F117 represent great value.
I love the simplicity of the Rega and the attention to design and manufacturing detail. Even the tonearm holder/retainer has a set halfway preset which allows a quick half flip to secure/unsecure the arm while changing sides. Sounds simple enough but I have not seen that before and think it is fairly brilliant. Other Regas may have the same thing - never checked.
My previous TT was a Michell Gyrodec SE which was awesome in its own right but too busy in setup and use for me compared to the Rega. I think the music is more solid through the Rega (different systems though). For function and appearance I give it to the P8 over the Gyrodec.
I tried an EAT C-sharp for a bit and found it to have some motor and bearing noise that I could not tame (not feedback) and therefore returned it. I also considered CA Ovation, Luxman PD-171A and Technics 1200G. Very happy with my choice. For me the P8 represented a perfect price point to sound quality ratio. My next table will be in a much higher price/performance bracket and for that I will happily wait with my P8.
I'm not sure if the P8 is for you - only you can decide that. But I bet there will be scores of people that land on the P8 and stay for a long while.