Connecting a sub which way to go


I have a NAD165 Pre-amp and a Nad 365 amp I am connecting a SVS SB13 Ultra into the system. The 165 has a sub output,but is it better to use that or the signal between the pre amp and the amp stripping off the bottom end signals say 15HZ to 80 sending rest on to the amp?  The SVS has both a high pass and a low pass filter. The rest of my system is Paradigm S3 V2's and Triad Silver Monitor's
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Paul McGowan (PS Audio) syas to use speaker cable from your amp to the sub. I scratched my head why speaker cables (main amp binding posts) to a powered sub, but it was a nice improvement 

However, I now have an Audio Alchemy DPA-1 (class D) AA says NOT to connect via binding posts, so.... check with the mfg
I prefer using the high pass option. I have tried both and I find that using the high pass give my mains a cleaner sound. Like the above post states,try both and let your ears you know which sounds better!
I am using both methods.
Main system has Vandy Treo's and 2wq subs using the Vandy Crossover.
Office has the VLR's and a pair of Hsu subs running off the speaker connections.
I like my Main system best, but the Office is no slouch. I might put in the HSU crossover, but I don't seem to need it right now.
Albeit, the Office has a bit more bass, but I kind of like the difference between the two systems.
As others posted, using the crossover relieves your amp from the heavy lifting of the bass frequencies, so if you are not using a very powerful amp, it might be the better of the two ways to go.
If you have a lot of headroom power-wise, it might not matter.
Bob
Ha! I came here to give you Paul McGowen’s answer: use a high level input for the sub. I appreciate the logic of it: whatever colorations or sonic signature your amp applies to the signal will also be applied to the sub and the speakers and sub will blend better. 
High level is the way to go, sub then takes on characteristics of the amp as well. As has already been stated. But I'm sure there are good sounding systems with both methods.